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In James Baldwin's "Sonny's Blues," having had a daughter die, the narrator notes that "[M]y trouble made his real." As he waits for Sonny at the subway station, the narrator experiences a flood of memories hit him and he finds himself shaking hands with "the baby brother I'd never known." After the narrator picks up Sonny, they ride in a cab through the "killing streets" of Harlem until they reach his home:
The moment Sonny and I started into the house I had the feeling that I was simply bringing him back into the danger he had almost died trying to escape.
Again, the narrator is struck by memories, recalling his promise to his mother: "I won't let nothing happen to Sonny." Significantly, he also recalls her other words,"But you go to let him know you's there." Now he senses himself "in the presence of something" as he looks at Sonny as more memories press upon him: the time Sonny lived with him, the constant playing of the piano--"it was like living with sound"--and how wearing it was on his family.
One day Sonny returns to his brother's house, but pauses outside at a street revival and listens. When he crosses the street, the narrator, who has been watching apprehensively at the window remarks upon Sonny's musical walk that he has "never really noticed before." After Sonny comes in, he tries to converse with his brother. When Sonny says that the singer's voice reminded him for a minute of what heroin feels like sometimes, the narrator reacts as his voice is "very ugly, full of contempt, and anger." However, as he listens to the poignancy in Sonny's voice as he comments on "how much suffering she must have had to go through--to sing like that," and his attitude changes as he seeks communication with a brother with whom he has not had a close relationship. As Sonny's confesses, the narrator truly listens, recognizing the darker side of himself, a side he gets to know as he sits in the dark of the nightclub where Sonny plays. And, it is then that the narrator sheds his opinions, his own sets of goals, and his biases. Instead, he listens to Sonny play the blues. He hears Sonny release the "storm inside" himself. "And his triumph, when he triumphs, is ours" the narrator comments as he watches Sonny's face which has the "fire and fury of battle occurring in him" along with the light that comes from the listeners who understand.
Sonny triumphs because he releases the storm within him; likewise, the brother triumphs as he listens to Sonny and understands him and witnesses something sacred, "the very cup of trembling" of Sonny's troubles.
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