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There Will Come Soft Rains

by Ray Bradbury

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How is allusion used in "There Will Come Soft Rains" by Ray Bradbury?

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The significance of the allusions to two great artists deserves a further look:

The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls, like delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings.

Picasso was a Spanish artist who is known as one of the most influential contributors to the field in the twentieth century. Picasso's subjects were numerous, but perhaps his best-known painting is Guernica, which depicts a bombing in a town of the same name, reflecting the terrors and inhumanities of war in shades of black, gray, and white. It is ironic, then, that a Picasso painting is consumed by fire following a war and the seeming destruction of mankind.

Matisse is often regarded as the most influential French artist of the twentieth century. Therefore, these two great artists were rising to fame and worldwide recognition by their efforts toward beauty at the same time when scientists were working toward the completion of technology which would ultimately result in the atomic bomb. The power of mankind on both ends of potential is thus revealed through this allusion. Mankind has tremendous power to create beauty and tremendous power to create destruction.

In the end, mankind is responsible for destroying itself and all of the beauty that was accomplished along the way, signified by the flames metaphorically eating these beautiful and prized works of art.

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There are three ways in which the literary device of allusion is used in Ray Bradbury's short story, "There Will Come Soft Rains."

First, the poem by Sara Teasdale is alluded to in the title and in the body of the story. Here is the poem: 

There will come soft rains and the smell of the ground, 

  And swallows circling with their shimmering sound;

  And wild plum trees in tremulous white, 

  Robins will wear their feathery fire

  Whistling their whims on a low fence-wire;

  And not one will know of the war, not one

  Will care at last when it is done. 

  No one would mind, neither bird nor tree

  If mankind perished utterly; 

  And Spring herself, when she woke at dawn, 

  Would scarcely know that we were gone.

Sara Teasdale wrote this poem in response to the destruction of World War I. It is a commentary that all of nature exists in harmony and purpose, and only mankind functions contrarily to this. Teasdale suggests that if mankind destroyed itself, nature would continue on, unaffected. 

This is strikingly similar to what happens in Ray Bradbury's story. The house continues to cook meals, give reminders, recite poems, prepare for leisure time, and in all ways serve the masters who live there. The only problem is—the owners are gone. The only hint we have as to what has happened to them is the total destruction of the neighborhood, and the black silhouettes of a family on the siding of the house, their images presumably burned into the wall by a type of nuclear blast. 

Another allusion in the story is the reference to the pagan god Baal. When the house is cleaning, all the dust and debris it sweeps up is sent into the basement, where it is put into an incinerator. Bradbury compares this contraption to the evil god which was introduced to the Jewish people through the evil queen Jezebel. In the Bible, the prophet Elijah discredits Baal by calling his worshippers into a type of contest in 1st Kings chapter 18. Here is the allusion in Bradbury's story: 

There, down tubes which fed into the cellar, it was dropped into the sighing vent of an incinerator which sat like evil Baal in a dark corner. The dog ran upstairs, hysterically yelping to each door, at last realizing, as the house realized, that only silence was here.

Just like in 1st Kings, the worshippers of Baal were met only with his silence, in Bradbury's story, the house is met with the silence of its masters. 

Another minor allusion is the reference to Picassos and Matisses that the fire consumed. This refers to Pablo Picasso's paintings, who was a Spanish artist famous for his cubist paintings, and Henri Matisse, a French painter in the post-impressionist era. 





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An allusion is a reference within a work of literature to history, religion, other literature, or anything within the culture really. Today, references to pop culture including celebrities and TV are common. The most obvious example of allusion in this story is the title, taken from the Sara Teasdale poem which the house recites. ''There Will Come Soft Rains"  was written in response to World War I. Teasdale believed that after all the wars were over, the earth would continue to exist without human interference. Though Teasdale could not have imagined the devastation of nuclear war, her poem is the basis for Bradbury's apocalyptic vision. Even a world which has been poisoned will continue to exist. That the house reads this version of the future that has already come to pass is the irony of the situation. Even though the destruction was foreseen, it wasn't prevented.

One other example of allusion, although not as important as the title, is evident in the story. While explaining how the mice clean the house, the speaker describes them feeding the debris into an incinerator which sits "like evil Baal." This is a reference to the heathen god of the Old Testament and Satan's chief lieutenant in Paradise Lost by Dante. This suggests the resulting evil of man's reliance on technology, & the consequences of unregulated advancements.

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