How is a conversation shaped between John Keats poems and Jane Campion’s film The Bright Star?
In Bright Star, Jane Campion introduces a sister art to Keats's poetry in Fanny Brawne's sewing, a motif throughout the film that establishes a dialogue about art and inspiration.
The film opens on the image of a needle threading through fabric, revealed to be commanded by Fanny's hand. The camera lingers on the precise craft, Fanny's steady stitches setting the tone for her initial contrast with Keats. Her art and interests are studied and precise, from fashion to flirting, and although she has much to learn about poetry from Keats, her character and craft have their own worth as well, a counterpoint to the poet that Campion threads throughout the film. In this, Fanny represents the reader of Keats's poetry, and the film shows that while Keats has much to teach, the reader has their own capacities to bring to the table.
Early in Bright Star , Fanny and her family visit Mr. and Mrs. Dilke for tea, where they are to meet Keats for the first time. The poet's friend—and Fanny's...
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