How does act 1, scene 2, display a mood of melancholy, anxiety, and suspense in The Merchant of Venice?

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In her first appearance in act 1, scene 2, of The Merchant of Venice, Portia's beauty and evident intellect are of little avail against encroaching melancholy. An unmarried young woman of noble birth, her choice of husband has been circumscribed by the terms of her late father's will: it stipulates that she must marry the man who chooses the correct one of three caskets, each bearing a cryptic question.

Anxious that she'll never be married under such conditions, she bemoans such a fate to her waiting-maid Nerissa after mocking a series of highly unsuitable suitors who have already refused the casket lottery:

If I live to as old as Sibylla, I will die as
chaste as Diana, unless I be obtained by the manner
of my father's will. (1.2.106–108)

Nerissa, who has previously advised her mistress to have faith in the wisdom of her father's test, reminds Portia of a young Venetian soldier who:

...of all the men that ever my
foolish eyes looked upon, was the best deserving a
fair lady. (1.2.118–120)

Portia, indeed, has a favorable memory of this man and recalls his name: Bassanio. The audience knows, from act 1, scene 1, that Bassanio is in love with Portia and has borrowed 3,000 ducats from his friend Antonio to compete with what he knows are numerous "Renowned suitors" for her hand in marriage. So, although Portia knows nothing of his love, the audience is in a state of suspense over the fate of Bassanio's marital quest: will he submit to the casket lottery, and if so, will he pass the test?

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As Act I Scene 2 opens, Portia sighs and in the lugubrious tones of melancholy tells her waiting woman Nerissa that she is weary of the world because she feels that her life is still controlled by her father even though he is no longer alive.
This melancholy has been caused because her father has arranged that suitors for Portia must go through a lottery involving three chests--one gold, one silver, and one lead. The man who selects the correct chest gets to marry Portia. Portia bemoans,

O me, the word “choose!” I may neither choose whom I would nor refuse whom I dislike—so is the will of a living daughter curbed by the will of a dead father. Is it not hard, Nerissa, that I cannot choose one nor refuse none? (1.2.22-25)

Nerissa attempts to console her by saying that Portia's father has arranged his lottery so that only a man who would be capable of truly loving her should make the correct choice. But, Portia expresses her anxiety over her potential husband as she evaluates the suitors who have come by so far. Then she tells Nerissa:

If I live to be as old as Sibylla, I will die as chaste as Diana unless I be obtained by the manner of my father’s will (1.2.95-96)

Since many potential suitors have come and gone, Portia is beginning to worry if she ever will find a suitor that she likes. Then, Nerissa reminds Portia of a certain Venetian scholar and soldier, and Portia exclaims, "Yes, yes, it was Bassanio." Nerissa tells Portia that Bassanio is the "best deserving a fair lady." This conversation creates some suspense as the audience wonders who Bassanio is and if he will appear since Portia obviously approves of him. 

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In Act 1, Scene 2 of The Merchant of Venice, Portia and Nerissa discuss the various suitors which have traveled to Belmont and attempted to marry Portia. Portia begins the scene by lamenting the fact that she essentially has no say in who she will marry because of her father's will. Portia tells Nerissa that it is unfair and says that she is weary of the world. Portia's hopeless comments depict her melancholy attitude. Nerissa then lists the names of the suitors which have already visited Belmont and Portia negatively describes each of them. Portia displays her anxiety to find a favorable suitor and fears that she will die a virgin if no suitor is able to woo her according to her father's will. At the end of the scene, one of Portia's servants says that a messenger has arrived on the behalf of the Prince of Morocco. The audience is left with a feeling of suspense because they do not know whether or not the Prince of Morocco will be a favorable suitor or upset Portia like the others have.

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