What are some arguments against Auteur Theory in film-making?

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Auteur Theory, emerging in the 1940s with the French New Wave movement amongst film critics and first largely introduced by Alexander Astruc (with Andre Bazin) and propounded in the 1950s periodical Cahiers du cinéma, centers on the concepts of "director-as-author" and "caméra-stylo" (camera-as-pen).

The theory holds that, just as a fiction author or a painter or sculptor has a persona, a style, a recognizable presence or voice, so has a director a recognizable persona that manifests in tension, shot style (e.g., reflection shots), thematic consistencies, perceptible world vision and other modes of persona projections that leave a traceable mark or signature upon the films that an individual filmmaker creates. Classic examples of auteur directors who are authors of their films and who use the camera-as-pen are Alfred Hitchcock and Charlie Chaplin. Modern directors who have earned the label auteur are, among others, Ron Howard and the brothers Ethan and Joel Coen. Their works, along with...

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