Describe the relationship between Sonny and his brother in "Sonny's Blues"?
As James Baldwin’s short story “Sonny’s Blues” begins, the titular figure’s brother is describing Sonny’s pubescent descent into drug addiction—a phenomenon not uncommon in the narrator’s current environment. The narrator of Baldwin’s story is a teacher whose students, he assumes, find the departures from reality offered by heroin more practical than the algebra to which he subjects them. Sonny was arrested the night before in a drug raid, and what follows is the narrator’s description of their lives together and apart; it also includes his belated realization that Sonny’s road to inner peace laid not in the older brother’s path of professional responsibility, but in the music he played on his piano.
Sonny’s brother had been forced following their parents’ death to become a father figure to the younger boy. Reflecting on Sonny’s nature following news of his arrest, the narrator remembers his brother’s fundamentally kind nature: “I told myself that Sonny was wild, but he wasn’t crazy. And he’d always been a good kid, he hadn’t ever turned hard or evil or disrespectful, the way kids can, so quick, so quick, especially in Harlem.” As “Sonny’s Blues” continues, it becomes very apparent that the two brothers had clashed over which path the younger brother should travel. A part of the narrator’s recollections, however, require his own contemplation of the sorrows to which he, as a law-abiding, educated adult, had been forced to contend with. As the older sibling continues to relate the brothers’ history, he emphasizes his ultimately failed efforts at directing Sonny down the path of maturity and responsibility. As Sonny tries in vain to explain the intrinsic importance of music, the older brother tries equally in vain to keep Sonny focused on the importance of holding a more conventional job:
“Well, Sonny,” I said, gently, “you know people can’t always do exactly what they want to do—”
“No, I don’t know that,” Sonny said, surprising me. I think people ought to do what they want they want to do, what else are they alive for?”
“You’re getting to be a big boy,” I said desperately, “It’s time you started thinking about your future.”
There is a certain universality to this exchange between older sibling/father-figure and younger sibling/child. Many parents in more affluent communities have had the same conversations with their children. The difference in Baldwin’s story is the serious shortage of hope inherent in the environment in which they live. These brothers grew up very poor in Harlem, New York—an environment that bred much societal dysfunction. The option of escaping reality through heroin was often the only path young African Americans could see for themselves, and it was into this abyss that Sonny sank. As “Sonny’s Blue’s” comes to its conclusion, the narrator is finally awakened to the overwhelming importance music, and, especially, the blues, plays in not only Sonny’s life, but also in the lives of others. Making the pilgrimage to the nightclub where Sonny is known, respected, and loved, the narrator finally sees his brother in his natural milieu, and his perspective changes radically. Watching his brother perform alongside the other musicians, the narrator observes, “Sonny’s fingers fueled the air with life, his life. But that life contained so many others.”
The relationship between Sonny and his brother is extremely complex, to say the least. Baldwin designs these characters to act as character foils; therefore, accentuating each's character by contrasting it with the other.
Sonny is a free spirit, restless and dreaming, he seems to have wandered through life in search of something he is not sure of. He has battled addiction and isolation. He is the younger brother and desperately wants the narrators approval.
Sonny's older brother is very conservative, unlike Sonny. He does not take chances. He has tried to take care of Sonny as much as he can but in the process has forgotten to support Sonny in what Sonny wants. Due to the untimely death of their father, the narrator takes on the role of authority in Sonny's life.
It is not until the end that the narrator truly "hears" Sonny. When Sonny plays his music, the narrator finally hears his story and it all makes sense because he finally stepped into Sonny's world instead of always waiting for Sonny to step into his.