Bring out the elements of realism in Chaucer's prologue to The Canterbury Tales.
Geoffrey Chaucer's The Canterbury Tales is a story about a group of characters who travel from London to the shrine of the martyr Thomas Becket on a pilgrimage. Written in the fourteenth century, this narrative poem has maintained its appeal because of the detailed portrait it offers of so many different kinds of people from the Middle Ages. It is also the first major literary work to be written in English, although most people wouldn't be able to read it in its original form, Middle English.
Chaucer's realism in the prologue is based on his use of satire. Satire is the act of using humor to expose a weakness or problem in society. Chaucer's use of satire lends a realism to the poem that most works of his time did not engage in.
One of the most realistically drawn characters is the Pardoner. The Pardoner travels from church to church carrying with him fake religious “relics.” He charges unsuspecting parishioners money to view these relics, which really consist of a pillowcase (supposedly Mary's veil), a piece of ordinary fabric (supposedly a piece of Saint Peter's sail), and a jar of pig bones (supposedly the remains of an unnamed saint). He is so successful that:
he in one day got himself more money
than the parson got in two months
Chaucer's realism lies in his depiction of a church official as greedy and dishonest, making much more money through deceit than the honest parson could make.
Several other characters in the prologue are also satirized in a realistic fashion, among them the Doctor, Monk, Friar, Merchant, and Miller.