Zoot Suit | Author Biography
Luis Valdez was born June 26, 1940, to migrant farm workers in Delano, California; he was one of ten children. His interest in drama began early: a schoolteacher introduced him to puppetry, and in high school he appeared on a local television station. He also periodically helped his family in the fields, as they moved from farm to farm, following the planting and harvest schedule. He received his Bachelor Arts in English from the San Jose State University, where he produced his first play. Later, his alma mater awarded him an honorary Doctorate of Arts degree.
Valdez worked with the San Francisco Mime Troupe for a year before helping Hispanic labor leader César Chávez organize workers during the Great Delano Grape Strike of 1965. To support this effort, Valdez founded El Teatro Campesino (The Farmworkers' Theater), serving as its Artistic Director for many years. This small theater group began performing actos—brief theatrical "sketches"—to communicate the need for unionization among farmworkers and to educate the public about the migrant workers' plight. Eventually, the troupe took a more artistic turn, producing plays in San Francisco and elsewhere. In 1968, El Teatro won an Obie (a distinguished off-Broadway award) for "demonstrating the politics of survival."
Valdez began writing mitos or "myths," such as his 1967 Dark Root of a Scream, a condemnation of the Vietnam War and his 1973 La carpa de los Rasquachis, a story of the Mexican immigrant experience. His unique combination of acto (sketch), mito, and corrido (musical), along with his personal brand of Brechtian self-consciousness, combined with his goal of socio-political change quickly brought Valdez to the forefront of Chicano theater, and he enjoyed success with nationwide tours of his works. Zoot Suit (1978) was produced with the Center Theatre Group of Los Angeles, while he continued his leadership role at El Teatro Campesino.
Although Zoot Suit received mixed reviews during its New York debut, Valdez had the honor of being the first Chicano director to have a play produced on Broadway, and popular enthusiasm for the play encouraged him to take it on a successful national tour. This accomplishment marked the beginning of his rise as an individual artist, and he produced a well-received film version of Zoot Suit in 1981. In 1987, he directed the hit film La Bamba, which chronicled the short life of Hispanic rock star Richie Valens, and created several performances for the Public Broadcasting Service (PBS). In the 1990s, Valdez divided his time between screenwriting and teaching at California State University, Monterey Bay.
