Nov 12, 2009

Zoot Suit | Introduction

Zoot Suit brings to life a racially-charged trial of the 1940s, in which a group of pachucos, Mexican-American gang members, are charged and sentenced with the murder of another Mexican American. Playwright Luis Valdez depicts the trial of the Sleepy Lagoon Murder and the related Zoot Suit Riots of 1943 in a combination of docudrama, myth, and musical. Zoot Suit was designed to reach a larger audience than those targeted by the improvisational skits, or actos, he had produced for El Teatro Campesino, a theater troupe he founded to support Hispanic labor leader Cesar Chavez's efforts to unionize California farm workers during the Delano Grape Strike of 1965. Although he reached back into history for a specific Mexican-American incident, Valdez's play concerns the problems of all ethnic minorities in America.

Opening in 1978, Zoot Suit sold out every time it played in Los Angeles, though it met with less enthusiasm from critics in New York when it debuted on Broadway. In the play, the mythical character El Pachuco cajoles Henry Reyna to resist the social injustices of an unfair trial and fight for his community; he does so, but the play ends without resolving his future. With its Brechtian-style protest against social injustice and defamiliarization techniques, such that the action is controlled and re-directed by one of the characters, Zoot Suit set a new standard for Chicano theater and Valdez was recognized as a leader in American drama. A film version produced in 1981 starring Edward James Olmos and Daniel Valdez (the playwright's brother, who had played Henry in the stage production as well) brought this vivid portrayal of social injustice to movie theaters.

Zoot Suit Summary

Prologue
A backdrop of a giant newspaper headlines announces an invasion of "zoot-suiters," or pachucos, young Mexican-American men who wear slicked-down hair and suits with long, exaggerated coattails; armed forces are called in to handle the problem.

A switchblade rips through the newspaper to reveal El Pachuco, the epitome of a zoot-suiter, assuming the usual posture of defiant coolness. He begins speaking in Spanish, then switches to perfect English. In a cocky beat, he describes the Pachuco style. He exits, swinging a long watch chain.

Act I, scene i
The scene is a dance floor in the barrio, or Spanish-speaking neighborhood, in the 1940s. Couples from the 38th Street Gang dance, led by Henry Reyna with his girlfriend, Della Barrios. A few Anglo sailors dance nearby, as El Pachuco sings. The rival Downey gang enters and the dance turns violent when the rival gang leader, Rafas, shoves Henry's brother Rudy.

Act I, scene v
Back in the present, the public reads newspapers and litter the streets with them. All exit, except for one figure, a street sweeper. It is Enrique. When he has finished cleaning up, he pauses to read the news.

Act I, scene vi
The gang nervously awaits the outcome of their arrest. Joey has been beaten but hasn't told anything, and Smiley realizes, too late, that he is too old for all of this: he'd rather be with his wife and child. A "People's lawyer," George Shearer, meets his new clients and wins their trust.

Act I, scene ii
The dance/brawl is interrupted by sirens, detectives with drawn guns, and a reporter snapping pictures. Sergeant Smith and Lieutenant Edwards make arrests, but they let the Anglos go. The scene dissolves into a lineup.

Act I, scene iii
El Pachuco comes forward to the pacing... » Complete Zoot Suit Summary