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Why I Live at the P.O. | How Not to Tell a Story: Eudora Welty’s First-Person Tales
In the following essay, Ann Romines explores Eudora Welty’s rare, yet ‘‘memorable’’ use of first-person narration in ‘‘Why I Live at the P.O.’’
Eudora Welty’s fiction overflows with gifted, loquacious storytellers; it resounds with their voices. So, for me at least, it is surprising to realize how few of the stories are actually told in the first person. Welty is much more likely to depict storytelling as a kinetic exchange, an unpredictable process of reply, response, and mutual invention. Losing Battles, with its ‘‘fray’’ of voices, is the epitome of this process.
In that novel, one of the Beechams’ main strengths (however terrifying) is their capacity to draw everyone and everything into a communal,...
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- Why I Live at the P.O.: Introduction
- Why I Live at the P.O.: Summary
- Why I Live at the P.O.: Eudora Welty Biography
- Why I Live at the P.O.: Themes
- Why I Live at the P.O.: Style
- Why I Live at the P.O.: Historical Context
- Why I Live at the P.O.: Critical Overview
- Why I Live at the P.O.: Character Analysis
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Why I Live at the P.O.: Essays and Criticism
- The One-Sided Narrator in "Why I Live at the P.O."
- A Curtain of Green and Other Stories: "Why I Live at the P.O."
- "Why Sister Lives at the P.O.,’’ in The Critical Response to Eudora Welty’s Fiction
- Occasional Travelers in China Grove: Welty’s "Why I Live at the P.O." Reconsidered
- Rigidity and Rebirth: Eudora Welty and Women’s Comedy
- How Not to Tell a Story: Eudora Welty’s First-Person Tales
- Why I Live at the P.O.: Compare and Contrast
- Why I Live at the P.O.: Topics for Further Study
- Why I Live at the P.O.: Media Adaptations
- Why I Live at the P.O.: What Do I Read Next?
- Why I Live at the P.O.: Bibliography and Further Reading
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