What We Talk About When We Talk About Love (Identities and Issues in Literature)

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The Work

What We Talk About When We Talk About Love vaulted Raymond Carver to the forefront of literary attention in the 1980’s. His pared-down style was praised and maligned, and he was celebrated as his generation’s most capable spokesperson for blue-collar frustration.

Ordinary life is the antagonist throughout the seventeen stories. Short on education, Carver’s people work assembly lines, wait tables, stock shelves, and manage second-rate motels. Their houses are trashy; their cars and furniture break down. Treading debt, they sell off their belongings...

[The entire page is 539 words long]

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