Wedding Band | Copyright

These eNotes are an offprint from Drama For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas.

Drama For Students

Project Editor David Galens

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction nghts. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us, Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of DFS. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN DFS, VOLUME 2, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Books in Canada, v. 18, March, 1989 for "No Wings Yet" by Carol Bolt. Reprinted by permission of the author.—The Chesterton Review, v. 19, May, 1993 for "Adam, Eve, and Agatha Christie. Detective Stories As Post-Darwinian Myths of Original Sin," by John Wren-Lewis. Reproduced by permission of the author.—Commentary, v. 27, June, 1959 for "Thoughts on 'A Raisin in the Sun"' by Gerald Weales. Copyright © 1959 by the American Jewish Committee. Copyright renewed © 1987 by Gerald Weales. All rights reserved. Reprinted by permission of the publisher and the author.—The Commonweal, v. LXJH, March 16, 1956. Copyright © 1956 Commonweal Publishing Co., Inc. Reprinted by permission of Commonweal Foundation.—Drama, Spring, 1974 for "Quite a Nice Run" by Eric Shorter. Reproduced by permission.—Educational Theatre Journal, v. 29, May, 1977 for review of "for colored girls who have considered suicide/when the rainbow is enuf," by Lynn F. Miller. Copyright © 1977. Reproduced by permission of The Johns Hopkins University Press.— English Journal, v. 57, January, 1968 for "In Defense of Albee" by Carolyn E. Johnson. Copyright © 1968 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author.—Films in Review, v. 11, August/ September, 1970. Reproduced by permission.— Maclean's, v. 100, October, 1987. Copyright © 1987 by Maclean's Magazine. Reprinted by permission of the publisher.—The Nation, v. 222, May 1, 1976; v. 236, May, 1983 Copyright © 1976, 1983 The Nation magazine/The Nation Company, Inc. Both reproduced by permission of the publisher.— The New Republic, v. 210, May, 1994. Copyright © 1994 The New Republic, Inc. Reproduced by permission of The New Republic. November, 1959 Copyright © 1959 The New Republic, Inc. Renewed 1987 by The New Republic. Reproduced by permission of The New Republic.—Newsweek, v. CHI, April 9, 1984. Reproduced by permission.— The New York Herald Tribune, March, 1965. Copyright © 1965 by the New York Times Company. All rights reserved. Reproduced by permission.—New York Theatre Critics'Reviews, v. XXXXV, March 5,1984. Copyright© 1984 by The New York Times Company. Reproduced by permission.—New York Times Magazine, September, 1958. Copyright © 1958 by the New York Times Company. All rights reserved. Reproduced by permission.—New York, v. 14, January 12, 1981. Reproduced by permission.—The New Yorker, May, 1993 for a review of "A Raisin in the Sun" by Kenneth Tynan. Reproduced by permission of the Literary Estate of the author.—The New Yorker, v. 32, February, 1957. © 1957 by The New Yorker Magazine, Inc. Reprinted by permission of the publisher.—The New York Times, May, 1955; March 1965; November 5, 1981. Copyright © 1955, 1965, 1981 by the New York Times Company. All rights reserved. All reproduced by permission.—The Nation, November 13,1972. Copyright 1972 The Nation magazine/ The Nation Company, Inc. Reprinted by permission of the publisher.—Virginia Quarterly Review, v. 71, Autumn, 1995. Reproduced by permission.

COPYRIGHTED EXCERPTS IN DFS, VOLUME 2, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Atkinson, Brooks. From Onstage: Selected Theater Reviews from The New York Times, 1920-1970. Edited by Bernard Beckerman and Howard Siegman. Arno Press, 1973. Copyright © 1973 by the New York Times Company. Reproduced by permission of The New York Times Company.— Barnes, Clive. From Onstage: Selected Theater Reviews from The New York Times, 1920-1970. Edited by Bernard Beckerman and Howard Siegman. Arno Press, 1973. Copyright © 1973 by the New York Times Company. Reproduced by permission of The New York Times Company.—Browder, Sally "I Thought You Were Mine: Marsha Norman's 'night, Mother," inMother Puzzles: Daughters and Mothers in Contemporary American Literature. Edited by Mickey Pearlman. Greenwood Press, 1989. Copyright © 1989 by Mickey Pearlman. All Rights Reserved. Reproduced by permission.— Hayman, Ronald. From Contemporary Playwrights: Samuel Beckett. Heinemann Educational Books, 1968. Copyright © 1968 by Ronald Hayman. Reproduced by permission of the Peters, Fraser & Dunlop Group Ltd.—Kerr, Walter. From The Theater in Spite of Itself. Simon & Schuster, 1963. Copyright © 1963 by Walter Kerr, renewed 1991. All rights reserved. Reproduced by permission.— Taubman, Howard. From Onstage: Selected Theater Reviews from The New York Times, 1920-1970. Edited by Bernard Beckerman and Howard

Siegman. Arno Press, 1973. Copyright © 1973 by the New York Times Company. Reproduced by permission of The New York Times Company.— Tynan, Kenneth. From Right and Left: Plays, Films, People, Places, and Events. Atheneum, 1967. Copyright © 1960 by Kenneth Tynan. All rights reserved. Reproduced by permission of the Literary Estate of Kenneth Tynan.—Wiley, Catherine. "Whose Name, Whose Protection: Reading Alice Childress's The Wedding Band," from Modern American Drama: The Female Canon. Edited by June Schlueter. Associated University Presses, 1990. Copyright © 1990 by Associated University Presses. Reprinted by permission of the publisher.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN DFS, VOLUME 2, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Henley, Beth, photograph. AP/Wide World Photos. Reproduced by permission.—Movie still from Crimes of the Heart, by Beth Henley. De Laurentiis Entertainment Group. Courtesy of The Kobal Collection. Reproduced by permission.— Shange, Ntozake, photograph. APAVide World Photos. Reproduced by permission.—Production still for for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange. Martha Swope. Reproduced by permission.—Mamet, David, photograph. APAVide World Photos. Reproduced by permission.—Book cover of Glengarry Glen Ross, by David Mamet. Grove/ Atlantic, Inc. Reproduced by permission.—Production still for Glengarry Glen Ross, by David Mamet. Donald Cooper, London. Reproduced by permission.—.PfayiWW from the April 21, 1955 premiere at the National Theatre for Inherit The Wind, by Jerome Lawrence and Robert E. Lee. Playbill (r) is a registered trademark of Playbill Incorporated, NYC. All rights reserved. Reproduced by permission.—Playbill from the Royale Theatre production of, Inherit The Wind, by Jerome Lawrence and Robert E. Lee. Playbill (r) is a registered trademark of Playbill Incorporated, NYC. All rights reserved. Reproduced by permission.— O'Neill, Eugene, photograph by Carl Van Vechten. The Library of Congress.—Production still for Long Day's Journey into Night, by Eugene O'Neill. The Raymond Mander & Joe Mitchenson Theatre Collection. Reproduced by permission.—Bolt, Robert, photograph. AP/Wide World Photos. Reproduced by permission.—Movie still for A MOB For Alt Seasons, by Robert Bolt. Archive Photos. Reproduced by permission.—Gibson, William, photograph. Archive Photos, Inc. Reproduced by permission.—Movie production still for The Miracle Worker, by William Gibson. Archive Photos. Reproduced by permission.—Production still for The Miracle Worker, by William Gibson. Archive Photos. Reproduced by permission.—Christie, Agatha, photograph. AP/Wide World Photos. Reproduced by permission.—Promotional bill for The Mousetrap by Agatha Christie. Mousetrap Productions Limited. Reproduced by permission.—Norman, Marsha, photograph. AP/Wide World Photos. Reproduced by permission.—Movie still for 'night, Mother, by Marsha Norman. Archive Photos/ Universal Studies. Reproduced by permission.—Simon, Neil, photograph. AP/Wide World Photos. Reproduced by permission.—Two movie stills from The Odd Couple by Neil Simon. Archive Photos, Inc. Reproduced by permission.— Hansberry, Lorraine, photograph. Corbis-Bettman. Reproduced by permission.—-Movie still for A Raisin in the Sun by Lorraine Hansberry. Archive Photos, Inc. Reproduced by permission.—Stoppard, Tom, photograph. AP/Wide World Photos. Reproduced by permission.—Production still for Rosencrantz and Guildenstem Are Dead by Tom Stoppard. Donald Cooper, London. Reproduced by permission.—Playbill from the Cort Theatre production of, Twilight: Los Angeles, 1992, by Anna Deavere Smith. Playbill (r) is a registered trademark of Playbill Incorporated, NYC. All rights reserved. Reproduced by permission.—Vidal, Gore, photograph. AP/Wide World Photos. Reproduced by permission.—An illustration by Paul Anderson for Visit to a Small Planet by Gore Vidal. Reproduced by permission by Paul Anderson.—Beckett, Samuel, photograph. Archive Photos, Inc. Reproduced by permission.—Production still for Waiting for Godot by Samuel Beckett. The Raymond Mander & Joe Mitchenson Theatre Collection. Reproduced by permission.—Childress, Alice, photograph by Jerry Bauer. Copyright © Jerry Bauer. Reproduced by permission.—A photograph by Mark Avery of Wedding Band by Alice Childress. Milwaukee Repertory Theater. Reproduced by permission.— Albee, Edward, photograph. Archive Photos, Inc. Reproduced by permission.—Photograph by Hank Kranzler of The Zoo Story by Edward Albee. American Conservatory Theater, San Francisco. Reproduced by permission.

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