That Was Then, This Is Now | Copyright

These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

Project Editor David Galens

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Sara Constantakis, Elizabeth A. Cranston, Kristen A. Dorsch, Anne Marie Hacht, Madeline S. Harris, Arlene Johnson, Michelle Kazensky, Ira Mark Milne, Polly Rapp, Pam Revitzer, Mary Ruby, Kathy Sauer, Jennifer Smith, Daniel Toronto, Carol Ullmann

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Novels for Students (NfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN NfS, VOLUME 16, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

CLA Journal, v. xxxi, March, 1988. Copyright, 1988 by The College Language Association. Used by permission of The College Language Association.— College English, v. 26, 1965 for “The Verbal Failure of Lord Jim” by Eben Bass. Copyright © 1965 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author.—College Literature, v. 24, February, 1997. Copyright © 1997 by West Chester University. Reproduced by permission.—Delta, v. 15, November, 1982 for “Turn of the Screw and the recherche de l’absolu” by Millicent Bell. Reproduced by permission of the author.—Extrapolation, v. 27, 1986. Copyright © 1986 by The Kent State University Press. Reproduced by permission.— The Nation (New York), v. 238, January 14, 1984; v. 242, March 8, 1986; v. 266, May 4, 1998. © 1984, 1986, 1998 The Nation magazine/ The Nation Company, Inc. All reproduced by permission.— New Orleans Review, v. 14, Winter, 1987. Copyright © 1987 by Loyola University. Reproduced by permission.—Revue des langues vivantes, v. xxxiv, 1968 for “Tragedy and Self-Deception in Turgenev’s Fathers and Sons,” by Charles R. Bachman./ v. xxxvi, 1970 for “Ayn Rand’s Neurotic Personalities of Our Times” by Paul Deane. Both reproduced by permission of the authors.—Texas Studies in Language and Literature, v. 26, Summer, 1984. Reproduced by permission of the publisher.

COPYRIGHTED MATERIALS IN NfS, VOLUME 16, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bloom, Edward A. From Evelina; or, the History of a Young Lady’s Entrance into the World. By Frances Burney. Edited by Edward A. Bloom. Oxford University Press (London), 1968. © Oxford University Press 1968. Reprinted by permission of the publisher.—Cutting-Gray, Joanne. From Woman as “Nobody” and the Novels of Fanny Burney. University Press of Florida, 1992. Copyright 1992 by the Board of Regents of the State of Florida. Reproduced with the permission of the University Press of Florida.—Ferraro, Thomas J. From Ethnic Passages: Literary Immigrants in Twentieth-Century America. University of Chicago Press, 1993. Copyright © 1993 by The University of Chicago. Reproduced by permission.— GardaphJ, Fred L. From Italian Signs, American Streets: The Evolution of Italian American Narrative. Duke University Press, 1996. © 1996 by Duke University Press, Durham, NC. Reproduced by permission.—Lowe, David. From Turgenev’s Fathers and Sons. Ardis, 1983. © 1983 by Ardis Publishers. Reproduced by permission.— Nadel, I. B. From Reference Guide to American Literature, 4th edition. Edited by Jim Kamp. St. James Press, 2000. Copyright © 2000 St. James Press. All rights reserved. Reproduced by permission of the Gale Group.—Widner, Kingsley. From Nathanael West. Twayne Publishers, 1982. Copyright © 1982 by G.K. Hall & Company. All rights reserved.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NfS, VOLUME 16, WERE RECEIVED FROM THE FOLLOWING SOURCES:

An area near St. Pancras Station in London showing the damage caused by a German air raid during the London blitz in WW II, photograph. Hulton Archive/Getty Images. Reproduced by permission.— Book photograph by Liaison Agency, Inc. From “High School Hazing: When Rites Become Wrongs,” Hank Nuwer. Franklin Watts, 2000. Reproduced by permission of GettyImages.— Brando, Marlon, in the film “The Godfather (Part I),” by Mario Puzo, photograph. The Kobal Collection. Reproduced by permission.—Burney, Edward Francesco. Scene from Evelina, by Fanny Burney, illustration. National Portrait Gallery. Reproduced by permission.—Burney, Fanny, engraving. Archive Photos, Inc. Reproduced by permission.— Camus, Albert, photograph. Associated Press (London). Reproduced by permission.—Conrad, Joseph (facing right), 1904, photograph. Archive Photos, Inc. Reproduced by permission.— Cooper, Gary, in the film “The Fountainhead,” by Ayn Rand, photograph. The Kobal Collection. Reproduced by permission.—Crowd gathering at the movie premier of “Gone with the Wind,” photograph. A/P Wide World. Reproduced by permission.— The Dreadful Plague in London, engraving. Hulton Archive/Getty Images. Reproduced by permission.— Estevez, Emilio, in the film “That Was Then, This Is Now,” by S.E. Hinton. The Kobal Collection. Reproduced by permission.—Gaines, Ernest, photograph. AP/Wide World Photos. Reproduced with permission.—Gossett, Louis, Jr, Woody Strode, from a scene in the film “A Gathering of Old Men,” based on the novel by Ernest J. Gaines. The Kobal Collection. Reproduced by permission.—Greene, Graham, 1969, photograph. AP/Wide World Photos. Reproduced by permission.— Hinton, S.E., photograph by Thomas Victor. Reproduced by permission of the Estate of Thomas Victor.—James, Henry, photograph. AP/Wide World Photos. Reproduced by permission.— Liberation of the Russian serfs after their emancipation by Czar Alexander, engraving. (c) Bettmann/Corbis. Reproduced by permission.— Lynching victim, photograph. The Library of Congress.— Moore, Julianne, Ralph Fiennes, from a scene of “The End of the Affair,” based on the novel by Graham Greene, photograph. The Kobal Collection. Reproduced by permission.—O’Toole, Peter, as Lord Jim in the film version of Lord Jim, by Joseph Conrad. The Kobal Collection. Reproduced by permission.—Pacino, Al, Marlon Brando, James Caan, and John Cazale, in the film “The Godfather,” 1972, photograph. The Kobal Collection. Reproduced by permission.—Pears, Tenor Peter, in a production of Britten’s “The Turn of the Screw,” based on the book by Henry James, photograph. Hulton Archive/Getty Images. Reproduced by permission.—Puzo, Mario, photograph by Jerry Bauer. Reproduced by permission.— Rand, Ayn, photograph. AP/Wide World Photos. Reproduced by permission.—Still from the film version of “The Day of the Locust,” based on the book by Nathanael West, photograph. The Kobal Collection. Reproduced by permission—Turgenev, Ivan, photograph. The Library of Congress.