War of the winds: Shelley, Hardy, and Harold Bloom.
| Publisher | West Virginia University Press, University of West Virginia |
| Publication | Victorian Poetry |
| Subject | Literature/writing |
| Format | Magazine/Journal |
| ISSN | 0042-5206 |
| Issues per Year | 4 |
| Volume | 41 |
| Issue | 2 |
| Published | 2003-06-22 |
| Role | Type | Name |
| Author | n/a | Martin Bidney |
| Person | Criticism and interpretation | Harold Bloom |
| Person | Works | Harold Bloom |
| Person | Comparative analysis | Thomas Hardy |
| Person | Criticism and interpretation | Thomas Hardy |
| Person | Comparative analysis | Percy Shelley |
| Person | Criticism and interpretation | Percy Shelley |
CENTRAL TO THE EFFORTS OF SOME MAJOR HARDY CRITICS TO PROMOTE THEIR varied theoretical agendas in recent decades has been a shared emphasis on the affinities and influence linking the poetry of Percy Shelley to that of Thomas Hardy. Poet-critic Joseph Brodsky thinks that if T. S. Eliot had read Hardy instead of Laforgue, English poetical history in this century "might be somewhat more absorbing": "For one thing, where Eliot needs a handful of dust to perceive terror, for Hardy, as he shows in 'Shelley's Skylark,' a pinch is enough." (1) Since Brodsky has written his Hardy essay...
[This journal article is 7160 words long]
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