Vanity Fair: A Novel without a Hero, the first major work published by William Thackeray under his own name, was published serially in London in 1847 and 1848. Previously, under various comic pseudonyms (such as Michael Angelo Titmarsh and George Savage Fitzboodle) Thackeray made clear, both in his role as the narrator of Vanity Fair and in his private correspondence about the book, that he meant it to be not just entertaining, but instructive. Like all satire, Vanity Fair has a mission and a moral. The first published installment had an illustration on its cover of a congregation listening to a preacher; both speaker and listeners were shown with donkey ears. In the pages, Thackeray explains the illustration thus:
my kind reader will please to remember that these histories. . . . have "Vanity Fair" for a title and that Vanity Fair is a very vain, wicked, foolish place, full of all sorts of humbugs and falseness and pretentions. And while the moralist who is holding forth on the cover (an accurate portrait of your humble servant) professes to wear neither gown nor bands, but only the very same long-eared livery in which his congregation is arrayed: yet, look you, one is bound to speak the truth as far as one knows it.
That Becky is allowed to live, and to live well, is perfectly consistent with Thackeray's view of life and morality. . . . Losing is vanity, and winning is vanity.
By the halfway point in its serial publication, Thackeray's long, rambling tale of relentless and corrupt social climbing, told with biting humor and cynicism, was the talk of London. Readers eagerly awaited new episodes in the life of Thackeray's deeply immoral, self-serving anti-heroine, Becky Sharp, who has since become one of the most well-known and most argued-about characters in literature. The novel secured Thackeray's place among the literary giants of his time; and the giants of his time, among them Charles Dickens the Brontë sisters Thomas Hardy and Alfred Tennyson, have endured as giants to this day. Vanity Fair is considered a classic of English literature and one of the great works of satire in all history.
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