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Some or all of these eNotes are an offprint from Short Stories For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Short Stories.
Short Stories For Students
Project Editor David Galens
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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Short Stories for Students (SSfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIALS IN SSfS, VOLUME 19, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
Boulevard, v. 17, fall, 2001. Copyright © 2001 by Opojaz, Inc. Reproduced by permission.— Explicator, v. 51, spring, 1993. Copyright 1993 by Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036–1802.—Pacific Coast Philology, v. 19, November, 1984. Copyright 1984 by Pacific Ancient and Modern Language Association. Reproduced by permission.—Publishers Weekly, v. 233, April 1, 1998. Copyright 1998 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA., by permission.—Salmagundi, winter, 1997. Copyright ©1997 by Skidmore College. Reproduced by permission.—Silliman Journal, v. 28, First and Second Quarters, 1981. Copyright 1981 by Silliman University. Reproduced by permission.—Southern Literary Journal, v. 26, spring, 1994. Copyright 1994 by The University of North Carolina Press Journals. Reproduced by permission.—Southern Quarterly, v. 40, fall, 2001. Copyright © 2001 by the University of Southern Mississippi. Reproduced by permission.—Studies in Canadian Literature, v.19, 1994. Copyright © 1994 by the author. Reproduced by permission of the editors.—Studies in Short Fiction, v. 30, fall, 1993. Copyright 1993 by Newberry College. Reproduced by permission.
COPYRIGHTED MATERIALS IN SSfS, VOLUME 19, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Beck, Warren. From Joyce’s Dubliners: Substance, Vision, and Art. Duke University Press, 1969. Copyright 1969 by Duke University Press. Reproduced by permission.—Casper, Leonard. From an introduction to Scent of Apples: A Collection of Stories by Bienvenido N. Santos. University of Washington Press, 1979. Copyright 1979 by University of Washington Press. Reproduced by permission.— Conron, Brandon. From “The End of an Era,” in Morley Callaghan. Twayne Publishers, Inc., 1966. Copyright 1966 by Twayne Publishers, Inc. Reproduced by permission of Simon & Schuster.—Detweiler, Robert. From “More Fiction of the Seventies: The Exertions of Eros,” in John Updike. G. K. Hall, 1984. Copyright © 1984 by G. K. Hall & Company. All rights reserved. Reproduced by permission of The Gale Group.—Howells, Coral Ann. From “On Lies, Secrets, and Silence: ‘Friend of My Youth’,” in Alice Munro. Manchester University Press, Manchester UK 1998. Copyright © 1998 by Coral Ann Howells. Reproduced by permission.—Kim, Elaine H. From “New Directions,” in Asian American Literature: An Introduction to the Writings and Their Social Context. Temple University Press, 1982. Copyright 1982 by Temple University Press. Reproduced by permission.— Larsen, R. B. From “R. B. Larsen,” in John Updike: A Study of the Short Fiction. Edited by Robert M. Luscher. Twayne Publishers, Inc., 1993. Copyright © 1993 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of The Gale Group.—Lowe, John. From “‘Cast in Yo’ Nets Right Here’: Finding a Comic Voice,” in Jump at the Sun: Zora Neale Hurston’s Cosmic Comedy. University of Illinois Press, 1994. Copyright © 1994 by the Board of Trustees of the University of Illinois. Reproduced by permission.—Morsberger, Robert E. From “The Romantic Imagination,” in James Thurber. Twayne Publishers, Inc., 1964. Copyright © 1964 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of The Gale Group.—Seidel, Kathryn Lee. From “The Artist in the Kitchen: The Economics of Creativity in Hurston’s ‘Sweat’,” in Zora in Florida. Edited by Steve Glassman and Kathryn Lee Seidel. University of Central Florida Press, 1991. Copyright © 1991 by the Board of Regents of the State of Florida. Reproduced by permission of the University Press of Florida.—Smith, Rowland. From “Rewriting the Frontier: Wilderness and Social Code in the Fiction of Alice Munro,” in Telling Stories: Postcolonial Short Fiction in English. Rodopi, 2001. Copyright © 2001 by Editions Rodopi B. V. Reproduced by permission.—Trotter, Robert, II, and Juan Antonio Clavira. From Curanderismo: Mexican American Folk Healing. University of Georgia Press, 1981. Copyright © 1981. Reproduced by permission.—Updike, John. From “Getting the Words Out,” in John Updike: A Study of the Short Fiction. Edited by Robert M. Luscher. Twayne Publishers, Inc., 1993. Copyright © 1993 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of The Gale Group.— Walsh, William. From “Morley Callaghan,” in Manifold Voice: Studies in Commonwealth Literature. Chatto and Windus, 1970. Copyright © 1970 by Chatto and Windus. All rights reserved. Reproduced by permission of Random House Group, Ltd.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN SSfS, VOLUME 19, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Boyle, T. Coraghessan, photograph by Jim Cooper. AP/Wide World Photos. Reproduced by permission.—Callaghan, Morley Edward, photograph by Jerry Bauer. Reproduced by permission.— Filipino immigrant boy working with labor gang near Santa Maria, California in March of 1937, photograph by Dorothea Lange/Corbis. Reproduced by permission.—Gordimer, Nadine, photograph. AP/ Wide World Photos. Reproduced by permission.— Hurston, Zora Neale, on porch in Eatonville, Florida with musicians. © Corbis. Reproduced by permission.— Hurston, Zora Neale, wearing hat and feather, photograph by Carl Van Vechten. Reproduced by permission of Carl Van Vechten Trust.— J. Sherman Drug Store in Flemington, New Jersey, taken 1935. © Bettmann/Corbis. Reproduced by permission.—Joyce, James, photograph. The Library of Congress.—Lahiri, Jhumpa, photograph by Suzanne Plunkett. AP/Wide World Photos. Reproduced by permission.—Mexican Indian healer blowing on woman’s head. © Viviane Moos/Corbis. Reproduced by permission.—Moore, Maria Lorena, photograph © Jerry Bauer. Reproduced by permission.— Mozambican refugees flee the war and resettle at a refugee camp Malawi, photograph. © Peter Turnley/Corbis. Reproduced by permission.— Munro, Alice, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.— O’Connor, Flannery, photograph. Corbis-Bettmann. Reproduced by permission.—Sailing ships stand by the Custom House in the dock of Dublin, Ireland, circa 1890, photograph. © Sean Sexton Collection/ Corbis. Reproduced by permission.—Santos, Bienvenido, photograph by Wig Tysmans. Reproduced by permission.—Smiley, Jane, photograph. AP/Wide World Photos. Reproduced by permission.— State Street in Columbus, Ohio in 1901. © Corbis. Reproduced by permission.—Thurber, James, 1954, photograph by Fred Palumbo. NYWTS/ The Library of Congress.—Updike, John, 1990, photograph by Wyatt Counts. AP/Wide World Photos. Reproduced by permission.—Women harvest grapes in a vineyard in San Joaquin Valley, California, on September, 15, 1942, photograph. © Bettmann/Corbis. Reproduced by permission.— Yankee Stadium, November 24, 1963, photograph. © Bettmann/Corbis. Reproduced by permission.
