Criticism > Twentieth-Century Literary Criticism > Special Commissioned Entry on Willa Cather, Janis P. Stout - Copyright Page


Special Commissioned Entry on Willa Cather, Janis P. Stout - Copyright Page

ISSN 0276-8178

Volume 132

Twentieth-Century Literary Criticism

Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Janet Witalec Project Editor
Twentieth-Century Literary Criticism, Vol. 132
Project Editor

Janet Witalec

Editorial

Jenny Cromie, Scott Darga, Kathy D. Darrow, Julie Keppen, Allison Marion, Linda Pavlovski

Research

Sarah Genik, Tamara C. Nott, Tracie A. Richardson

© 2003 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc.

Gale and Design™ and Thomson Learning™ are trademarks used herein under license.

For more information, contact

The Gale Group, Inc. 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our internet site at http://www.gale.com

ALL RIGHTS RESERVED

No part of this work covered by the copyright herein may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution, or information storage retrieval systems—without the written permission of the publisher.

Permissions

Margaret A. Chamberlain

Imaging and Multimedia

Lezlie Light, Luke Rademacher, Robyn Young

This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information.

For permission to use material from the product, submit your request via the Web at http://www.gale-edit.com/permissions, or you may download our Permissions Request form and submit your request by fax or mail to:

Permisssions Department

The Gale Group, Inc.
27500 Drake Rd.
Farmington Hills, MI 48331-3535
Permissions Hotline:
248-699-8006 or 800-877-4253, ext. 8006
Fax 248-699-8074 or 800-762-4058

Composition and Electronic Capture

Carolyn Roney

Manufacturing

Stacy L. Melson

Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, the Gale Group neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

LIBRARY OF CONGRESS CATALOG CARD NUMBER 76-46132

ISBN 0-7876-6336-0
ISSN 0276-8178

Printed in the United States of America 10987654321

Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of TCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 132, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 55, March, 1983. Copyright © 1983 by Duke University Press. All rights reserved. Reproduced by permission of the publisher.—The Antioch Review, v. 45, Fall, 1987. Reproduced by permission.—Children’s Literature Association Quarterly, v. 20, Winter, 1995-96. Reproduced by permission.—Children’s Literature, v. 23, 1995. © 1995 Hollins College. Reproduced by permission.—Christianity and Literature, v. 46, Autumn, 1996. Reproduced by permission.—College Literature, v. ix, 1982. Copyright © 1982 by West Chester University. Reproduced by permission.— Eighteenth-Century Studies, v. 24, Spring, 1991. © 1991 The Johns Hopkins University Press. Reproduced by permission.—The Flannery O’Connor Bulletin, v. xiv, 1985; v. xv, 1986; v. xvi, 1987; v. 19, 1990; v. 24, 1995-96 © 1985, 1986, 1987, 1990, 1996 by The Flannery O’Connor Bulletin. Reproduced by permission.—Kansas Quarterly, v. 16, Summer, 1984. Reproduced by permission.—The Lion and the Unicorn, v. 18, December, 1994; v. 20, June, 1996. © 1994, 1996 The Johns Hopkins University Press. Reproduced by permission.—The Massachusetts Review, Spring, 1986. Copyright © 1986. Reproduced by permission.—Modern Age, v. 27, Summer-Fall, 1983. Reproduced by permission.—Mythlore, v. 17, Autumn, 1990 for “Dorothy’s Timeless Quest,” by Richard Tuerk. Reproduced by permission of the author.—The New Yorker, January 29, 2001 for “This Lonesome Place,” by Hilton Als. Copyright © 2001 by Hilton Als. Reproduced by permission of The Wylie Agency, Inc.—North Dakota Quarterly, v. 54, Spring, 1986. Copyright 1986 by The University of North Dakota. Reproduced by permission.—Papers on Language and Literature, v. 25, Fall, 1989. Reproduced by permission.—Public Relations Quarterly, v. 43, Fall, 1998 for “Baum’s ‘Wizard of Oz’ as Gilded Age Public Relations,” by Tim Ziaukas. Reproduced by permission of the author.—Religion & Literature, v. 29, Summer, 1997. © 1997 by the University of Notre Dame English Department. Reproduced by permission.—Representations, n. 21, Winter, 1988 for “What Manikins Want: ‘The Wonderful World of Oz’ and ‘The Art of Decorating Dry Goods Windows’,” by Stuart Culver. © 1988 The Regents of the University of California. Reproduced by permission of the publisher and the author.—Southern Humanities Review, v. xvii, Fall, 1983 for “Flannery O’Connor and the Manichean Spirit of Modernism,” by M. A. Klug. Reproduced by permission of the author.—The Southern Literary Journal, Spring 1982. Copyright 1982 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission.—The Southern Review, v. 23, April, 1987 for “Flannery O’Connor, the New Criticism, and Deconstruction,” by Ted R. Spivey. Reproduced by permission of the author.—Studies in American Fiction, v. 18, Spring, 1990. Copyright © 1990 Northeastern University. Reproduced by permission. Reproduced by permission.—Studies in American Humor, v. 5, Winter, 1986-87. Reproduced by permission.— Studies in Short Fiction, v. 28, Fall, 1991. Copyright 1991by Newberry College. Reproduced by permission.—Textual Practice, v. 14, 2000 for “Foreign Bodies: History and Trauma in Flannery O’Connor’s ‘The Displaced Person’,” by Rachel Carroll. © 2000 Taylor & Francis Ltd. Reproduced by permission of the publisher and the author. www.thomsonpublishingservices.co.uk.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 132, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Alway, Joan. From Critical Theory and Political Possibilities: Conceptions of Emancipatory Politics in the Works of Horkheimer, Adorno, Marcuse, and Habermas. Greenwood Press, 1995. Copyright © 1995 by Joan Alway. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Becker-Cantarino, Barbara. From Impure Reason: Dialectic of Enlightenment in Germany. Edited by W. Daniel Wilson and Robert C. Holub. Wayne State University Press, 1993. Reproduced by permission of the publisher and the author.—Beringer, Cindy. From Southern Mothers: Fact and Fiction in Southern Women’s Writing. Edited by Nagueyalti Warren and Sally Wolff. Louisiana State University Press, 1999. Copyright © 1999 by Louisiana State University Press. Reproduced by permission.—Cook, Martha E. From Modern

American Fiction: Form and Function. Edited by Thomas Daniel Young. Louisiana State University Press, 1989. Reproduced by permission.—Garson, Helen S. From Realist of Distances: Flannery O’Connor Revisited. Edited by Karl-Heinz Westarp and Jan Nordby Gretlund. Aarhus University Press, 1987. Reproduced by permission.—Riley, Michael O. From Oz and Beyond: The Fantasy World of L. Frank Baum. University Press of Kansas, 1997. © 1997 by the University Press of Kansas. Reproduced by permission.—Schandelbach, Herbert. From “Max Hormheimer and the Moral Philosophy of German Idealism.” Translated by John Torpay, in On Max Horkheimer. Seyla Benhabib, Wolfgang BonB, John McCole, eds. The MIT Press, 1993. Reproduced by permission.—Tar, Zoltan. From The Frankfurt School: The Critical Theories of Max Horkheimer and Theodor W. Adorno. John Wiley & Sons, 1977. Reproduced by permission of the author.—Walters, Mark. From New Perspectives on Women and Comedy. Edited by Regina Barreca. Gordon and Breach, 1992. Copyright © 1992 by OPA (Amsterdam) B.V. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 132, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Baum, L. Frank, photograph. Library of Congress.—Cather, Willa, photograph. AP/Wide World Photos. Reproduced by permission.—O’Connor, Flannery, photograph. Corbis-Bettmann. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher David M. Durant

Jackson Library Reference Librarian, Joyner Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library