Criticism > Twentieth-Century Literary Criticism > The Seagull, Anton Chekhov - Robert Louis Jackson (essay date 1967)
The Seagull, Anton Chekhov - Robert Louis Jackson (essay date 1967)
Robert Louis Jackson (essay date 1967)
SOURCE: Jackson, Robert Louis. “Chekhov's Seagull: The Empty Well, the Dry Lake, and the Cold Cave.” In Chekhov's Great Plays: A Critical Anthology, edited by Jean-Pierre Barricelli, pp. 3-17. New York: New York University Press, 1981.
[In the following essay, which was originally published in 1967, Jackson elucidates the theme of art versus reality in The Seagull.]
Art is at the center of The Seagull. Four characters in the play are actresses or writers. Everybody talks about art. Everybody embodies or lives out a concept of art. The problem of talent—what it takes and means to become an artist—is a fundamental theme of the play.1 Illusion and reality, dream and fulfillment in art and life constitute the innermost concern of the author. Finally, art in its most basic form as myth gives expression to the underlying dramatic conflicts and realities in the play: the...
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- Introduction
- Principal Works
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Criticism
- Thomas G. Winner (essay date February 1956)
- Robert Louis Jackson (essay date 1967)
- Raymond Williams (essay date 1968)
- Burton Kendle (essay date May 1970)
- James M. Curtis (essay date spring 1972)
- Keith Sagar (essay date March 1973)
- Laurence Senelick (essay date May 1977)
- Ellen Chances (essay date 1977)
- Virginia Scott (essay date October 1978)
- Jerome H. Katsell (essay date 1981)
- Carol Strongin (essay date winter 1981-1982)
- Zinovii S. Paperny (essay date 1982)
- James M. Curtis (essay date fall 1985)
- Eli Rozik (essay date 1988)
- Hanna Scolnicov (essay date 1991)
- Richard Gilman (essay date spring 1992)
- John Russell Brown (essay date 1993)
- John Reid (essay date winter 1998)
- Donald Rayfield (essay date 1999)
- Further Reading
- Copyright
