Criticism > Twentieth-Century Literary Criticism > The Seagull, Anton Chekhov - Raymond Williams (essay date 1968)
The Seagull, Anton Chekhov - Raymond Williams (essay date 1968)
Raymond Williams (essay date 1968)
SOURCE: Williams, Raymond. “Anton Chekhov.” In Drama from Ibsen to Brecht, pp. 101-11. New York: Oxford University Press, 1969.
[In the following essay, from a work first published in England in 1968, Williams delineates the impact of The Seagull on the theater.]
I regard the stage of today as mere routine and prejudice. When the curtain goes up and the gifted beings, the high priests of the sacred art, appear by electric light, in a room with three sides to it, representing how people eat, drink, love, walk, and wear their jackets; when they strive to squeeze out a moral from the flat vulgar pictures and the flat vulgar phrases, a little tiny moral, easy to comprehend and handy for home consumption; when in a thousand variations they offer me always the same thing over and over again—then I take to my heels and run, as Maupassant ran from the Eiffel Tower, which crushed his...
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Criticism
- Thomas G. Winner (essay date February 1956)
- Robert Louis Jackson (essay date 1967)
- Raymond Williams (essay date 1968)
- Burton Kendle (essay date May 1970)
- James M. Curtis (essay date spring 1972)
- Keith Sagar (essay date March 1973)
- Laurence Senelick (essay date May 1977)
- Ellen Chances (essay date 1977)
- Virginia Scott (essay date October 1978)
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- Carol Strongin (essay date winter 1981-1982)
- Zinovii S. Paperny (essay date 1982)
- James M. Curtis (essay date fall 1985)
- Eli Rozik (essay date 1988)
- Hanna Scolnicov (essay date 1991)
- Richard Gilman (essay date spring 1992)
- John Russell Brown (essay date 1993)
- John Reid (essay date winter 1998)
- Donald Rayfield (essay date 1999)
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