Twentieth-Century Literary Criticism | Robinson, Edwin Arlington - Richard Crowder (essay date 1962)

Richard Crowder (essay date 1962)

SOURCE: “Redemption for the Man of Iron,” in The Personalist, Vol. X411, No. 1, January, 1962, pp. 46-56.

[In the following essay, Crowder examines Robinson's concept of redemption as revealed in Talifer.]

… Artistic experience is, deep down, a religious experience, because the world art lives in cannot be made habitable save by religion alone.¹

Malcolm Boyd says that “all media of communication are theological.”² Not only in such deliberate vehicles as The Cocktail Party and The Confidential Clerk but in such plays as Separate Tables and A Streetcar Named Desire religious truth can reach the sensitive spectator. The converse, however, is also true: for the person who is not sensitive to religion, a plot even intentionally concerned with the kerygma can be nothing conceivably more than mere...

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