Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Acknowledgments

COPYRIGHTED MATERIAL IN TCLC, VOLUME 138, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Studies, v. 18, Spring, 1977. Copyright © Mid-American Studies Association, 1977. Reprinted by permission of the publisher and the author.—Ball State University Forum, v. 12, Summer, 1971. © 1971 Ball State University. Reproduced by permission.—boundary 2, v. 8, Fall, 1979 for “An Exchange on Deconstruction and History” by Edward Said; v. 8, Fall, 1979 for “‘Destruction/Deconstruction’ in the Text of Nietzsche” by David B. Allison. Copyright, 1979. All rights reserved. Reproduced by permission of the publisher.—Callaloo, v. 11, Winter, 1988. © The Johns Hopkins University Press. Reproduced by permission.—Canadian Review of American Studies, v. 29, 1999. © Canadian Review of American Studies 1999. Reprinted by permission of the publisher.—Critical Inquiry, v. 3, Spring, 1977 for “The Deconstructive Angel” by M. H. Abrams. © 1977 by The University of Chicago. Copyright © 1977 by The University of Chicago. Reproduced by permission of the publisher and the author.—Criticism, v. XXX, Winter, 1988. Copyright © 1988 Wayne State University Press. Copyright, 1988, Wayne State University Press. Reproduced by permission of the publisher.—Dreiser Studies, v. 28, Spring, 1997. Reproduced by permission.—Massachusetts Review, v. 18, n. 4, Winter, 1977 for “An Image of Africa” by Chinua Achebe. Copyright © 1978 The Massachusetts Review, Inc. Reproduced from The Massachusetts Review, The Massachusetts Review, Inc. by permission.—Midwest Quarterly, v. 35, Summer, 1994. Reproduced by permission.—Mosaic, v. 28, September, 1995. © Mosaic 1995. Acknowledgment of previous publication is herewith made.— North Dakota Quarterly, v. 64, 1997. Copyright 1997 by The University of North Dakota. Reproduced by permission.— Notre Dame English Journal, v. 13, Fall, 1980 for “J. Hillis Miller, Deconstruction, and the Recovery of Transcendence” by G. Douglas Atkins. Reproduced by permission of the author.—Poetics Today, v. 1, Autumn, 1979. © Poetics Today. Reproduced by permission.—Southern Studies, v. 26, Winter, 1987 for “Kate Chopin’s ‘The Awakening’: An Assault on American Racial and Sexual Mythology” by Anna Shannon Elfenbein. Reproduced by permission of the author.—Thalia,

v. 12, 1992. Copyright © 1992 by Jacqueline Tavernier-Courbin. Reproduced by permission.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 138, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Aanerud, Rebecca. From “Fictions of Whiteness: Speaking the Names of Whiteness in U. S. Literature,” in Displacing Whiteness: Essays in Social and Cultural Criticism. Edited by Ruth Frankenberg. Duke University Press, 1997. © 1997 Duke University Press. All rights reserved. Reproduced by permission.—Atkins, J. Douglas. From “The Sign as Structure of Difference: Derridean Deconstruction and Some of Its Implications,” in Semiotic Themes. Edited by Richard T. De-George. University of Kansas Publications, 1981. Copyright 1981 Center for Humanistic Studies: University of Kansas. Reproduced by permission.—Bleikasten, Andre. From “‘Light in August’: The Closed Society and Its Subjects,” in New Essays on ‘Light in August’. Edited by Michael Millgate. Cambridge University Press, 1987. © Cambridge University Press 1987. Reproduced by permission of Cambridge University Press.—Brathwaite, Edward Kamau. From “The African Presence in Caribbean Literature,” in Africa in Latin America: Essays on History, Culture, and Socialization. Edited by Manuel Morengo Fraginals. Holmes & Meier Publishers, Inc., 1984. Copyright © 1984 by Holmes & Meier Publishers, Inc. All rights reserved. Reproduced by permission.—Bryant, Jerry H. From Victims and Heroes: Racial Violence in the African American Novel. University of Massachusetts Press, 1997. Copyright © 1997 by The University of Massachusetts Press. All rights reserved. Reproduced by permission.—de Vries, Hent. From “Deconstruction and America,” in Traveling Theory: France and the United States. Edited by Ieme van der Poel and Sophie Bertho. Associated University Presses, 1999. © 1999 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Della Cava, Frances

A. and Madeline H. Engel. From “Racism, Sexism, and Anti-Semitism in Mysteries Featuring Women Sleuths,” in Diversity and Detective Fiction. Edited by Kathleen Gregory Klein. Bowling Green State University Popular Press, 1999. Copy

right © 1999 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Hill, Archibald A. From “Deconstruction and Analysis of Meaning in Literature,” in Languages and Cultures: Studies in Honor of Edgar C. Polome. Edited by Mohammad Ali Jazayery and Werner Winter. Mouton de Gruyter, 1988. © Copyright 1988 by Walter de Gruyter & Co. Reproduced by permission of Mouton de Gruyter, a division of Walter de Gruyter & Co.—Howells, Christine M. From “Derrida and Sartre: Hegel’s Death Knell,” in Continental Philosophy II: Derrida and Deconstruction. Edited by Hugh J. Silverman. Routledge, 1989. © 1989 Hugh J. Silverman. All rights reserved. Reproduced by permission.—Kellman, Steven G. From “Tenants, Tenets, and Tensions: Bernard Malamud’s Blacks and Jews,” in American Literary Dimensions: Poems and Essays in Honor of Melvin J. Friedman. Edited by Ben Siegel and Jay L. Halio. Associated University Presses, 1999. © 1999 by Associated University Presses. All rights reserved. Reproduced by permission.—Luis, William. From “Latin American (Hispanic Caribbean) Literature Written in the United States,” in The Cambridge History of Latin American Literature: The Twentieth Century, Volume 2. Edited by Roberto Gonzalez Echevarria and Enrique Pupo-Walker. Cambridge University Press, 1996. © Cambridge University Press 1996. Reproduced by permission of Cambridge University Press.—Michaels, Walter Benn. From “‘You Who Never Was There’ Slavery and the New Historicism-Deconstruction and the Holocaust,” in The Americanization of the Holocaust. Edited by Hilene Flanzbaum. The Johns Hopkins University Press, 1999. © 1999 The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Muller, John P. and William J. Richardson. From “The Challenge of Deconstruction,” in The Purloined Poe: Lacan, Derrida & Psychoanalytic Reading. Edited by John P. Muller and William J. Richardson. The Johns Hopkins University Press, 1988. © 1988 The Johns Hopkins University Press. All rights reserved. Reproduced by permission of the Johns Hopkins University Press.—Niesen De Abruna, Laura. From “The ‘Incredible Indigo Sea’ within Anglo-American Fiction,” in Engendering the Word: Feminist Essays in Psychosexual Poetics. Edited by Temma

F. Berg, co-edited by Anna Shannon Elfenbein, Jeanne Larsen, and Elisa Kay Sparks. University of Illinois Press, 1989. Copyright © 1989 by the Board of Trustees of the University of Illinois. Reproduced by permission.—Overbye, Karen. From “Resisting Ideologies of Race and Gender: Evelyn Scott’s Use of the Tragic Mulatto Figure,” in Evelyn Scott: Recovering a Lost Modernist. Edited by Dorothy M. Scura and Paul C. Jones. The University of Tennessee Press, 2001. Copyright © 2001 by The University of Tennessee Press. All rights reserved. Reproduced by permission of The University of Tennessee Press.—Perkins, Margo V. From “Getting Basic: Bambara’s Re-visioning of the Black Aesthetic,” in Race and Racism in Theory and Practice. Edited by Berel Lang. Rowman & Littlefield Publishers, Inc., 2000. Copyright © 2000 by Rowman & Littlefield Publishers, Inc. All rights reserved. Reproduced by permission.—Rodriguez, Maria Cristina. From “Women Writers of the Spanish-Speaking Caribbean: An Overview,” in Caribbean Women Writers: Essays from the First International Conference. Edited by Selwyn R. Cudjoe. Calaloux Publications, 1990. Copyright © 1990 by Calaloux Publications. All rights reserved. Reproduced by permission.—St John Butler, Lance. From “Beckett’s Stage of Deconstruction,” in Twentieth-Century European Drama. Edited by Brian Docherty. St. Martin’s Press, 1994. Copyright © Brian Docherty. All rights reserved. Reprinted with permission of Palgrave.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 138, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Arenas, Reinaldo, photograph. © Liaison Agency. Reproduced by permission.—Derrida, Jacques, photograph. © James Leynse/Corbis Saba. Reproduced by permission.—Interior of artists’ studio at Charleston Farm, home to members of the Bloomsbury Group, photograph. © Michael Boys/Corbis. Reproduced by permission.—Lacan, Jacques, photograph. © Collection Corbis Kipa. Reproduced by permission.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library