Linda Pavlovski Editor

COPYRIGHTED EXCERPTS IN TCLC, VOLUME 102, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

African American Review, v. 26, Summer, 1992 for “‘Communicating by Horns’: Jazz and Redemption in the Poetry of the Beats and the Black Arts Movement” by Lorenzo Thomas./v. 32, Winter, 1998 for “Sonny’s Bebop: Baldwin’s ‘Blues Text’ as Intracultural Critique” by Tracey Sherard. Both reproduced by permission of the authors.—Canadian Literature, v. 44, 1970 for “Swinging the Maelstrom: Malcolm Lowry and Jazz” by Perle Epstein. Reproduced by permission of the author.—Canadian Womens Studies/Les Cahiers de la femme, v.17, Summer/Fall, 1997 for “Dodging Around the Grand Piano: Sex, Politics, Contemporary Irish Women’s Poetry” by Ailbhe Smyth. Reproduced by permission of the publisher and the author.—Chicago Review, v. 17, 1964. Copyright © 1964 by Chicago Review. Reproduced by permission.—Chinese Literature, 1965. Reproduced by permission.—Concerning Poetry, v. 14, 1981. Copyright © 1981, Western Washington University. Reproduced by permission.— Contemporary Literature, v. 40, Spring, 1999. Copyright © 1999 by the Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Cultural Critique, v. 31, Fall, 1995. Reproduced by permission.—The Dublin Magazine, v. 6, Spring, 1967 for “Recent Irish Fiction” by Maurice Harmon. Reproduced by permission of the author.—Éire-Ireland, v. XVIII, 1983; v. XX, 1985; v. XXVI, 1991. Copyright © 1983, 1985, 1991 by the Irish American Cultural Institute. All reproduced by permission of the publisher.— Encounter, v. XLI, December, 1973 for “The Speckled Hill, the Plover’s Shore” by Douglas Dunn . © 1973 by Douglas Dunn. Reproduced by permission of the author.—Essays in Criticism, v. XLVIII, April, 1998 for “Earth Writing: Seamus Heaney and Ciaran Carson,” by John Kerrigan. Copyright © 1998 Oxford University Press. Reproduced by permission of the publisher and the author.—Evergreen Review, v. 4, January-February, 1960. Reproduced by permission.—France-Aise/ Asia, v. XXII, 2nd Quarter, 1968 for “Some Background notes on Nhat Linh” by Stephen O’Harrow. Reproduced by permission of the author.—The Georgia Review, v. XLVI, No. 4, Winter, 1992 for “Jazz and Poetry: A Conversation” by Yusef Komunyakaa and William Matthews. Copyright, 1992, by the University of Georgia. Reproduced by permission of the author.—Irish University Review, v. 22, Spring/Summer, 1992. Reproduced by permission.—Journal of American Culture,

v. 14, Winter, 1991. Reproduced by permission.—The Literary Review, v. XXII, Winter, 1979 for “Irish Poetry After Yeats” by Adrian Frazier./v. 40, Summer, 1997 for “Small Gifts of Knowing” by Thomas E. Kennedy. Copyright © 1997 by Fairleigh Dickinson University. Both reproduced by permission of the authors.—Modern Drama, v. XLI, Spring, 1998. Copyright © 1998 University of Toronto, Graduate Centre for Study of Drama. Reproduced by permission.—Modern Fiction Studies, v. 28, Spring, 1982. Copyright © 1982 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University.—Mosaic, v. 31, December, 1998; v. 32, Spetember, 1999. © Mosaic 1998, 1999. Acknowledgment of previous publication is herewith made. Both reproduced by permission.—New England Review and Bread Loaf Quarterly, v. XII, Winter, 1989 for “Threaders of Double-Stranded Words: News from the North Ireland,” by John Drexel. Copyright © 1989 Middlebury College Publication. Reproduced by permission of the author.—New Theatre Quarterly, v. XIII, November, 1997 for “The Pandora’s Box of ‘Doi Moi’: the Open-Door Policy and Contemporary Theatre in Vietnam” by Catherine Diamond. Reproduced by permission of the author.— Play & Culture, v. 3, Auguust, 1990. Reproduced by permission.—The Review of Contemporary Fiction, v. 17, Spring, 1997. Copyright © 1997 by Illinois State University. Reproduced by permission.—The Sewanee Review, v. LXXXIV, Winter, 1976. Copyright © 1976 by The University of the South. Reproduced with permission of the editor.—Shenandoah, v. XXV, Summer, 1974 for “‘The Enabling Ritual’: Irish Poetry in the ’Seventies” by Dillon Johnston. Reprinted from Shenandoah: The Washington and Lee University Review, with the permission of the Editor and the author.—Studies in Short Fiction, v. 19, Fall, 1982; v. 27, Spring, 1990. Copyright 1982, 1990 by Newberry College. Both reproduced by permission.—Twentieth Century Literature, v. 42, Summer, 1996. Copyright © 1996 Hofstra University. Reproduced by permission.—Under the Sign of Pisces, v. 11, Winter, 1980. Reproduced by permission.—Wascana Review, v. 2, 1967. Reproduced by permission.—World Literature Today, v. 54, Autumn, 1980; v. 68, Autumn, 1994. Copyright © 1980, 1994 by the University of Oklahoma Press. Both reproduced by permission.—Yale French Studies, v. 1, 1993 for “Literary No

madics in Francophone Allegories of Postcolonialism: Pham Van Ky and Tahar Ben Jelloun” by Lisa Lowe. Copyright © 1993 by Yale University. Reproduced by permission of the publisher and the author.

COPYRIGHTED EXCERPTS IN TCLC, VOLUME 102, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Cahalan, James M. From The Irish Novel: A Critical History. Twayne Publishers, 1988. Copyright 1988 by G.K. Hall & Co. All rights reserved. Reproduced by permission of The Gale Group.—Chau, Phan Boi. From “Reflections From Captivity” in Reflections From Captivity. Translated by Christopher Jenkins, Tran Khanh Tuyet and Huynh Sanh Thong. Edited by David G. Marr. Ohio University Press, 1978. Copyright © 1978 by Ohio University Press. All rights reserved. Reproduced by permission of the editor.—Chung, Nguyen Ba. From “The Field of Vision in Vietnamese Poetry” in Mountain River. Kevin Bowen, Nguyen Ba Chung, Bruce Weigl, eds. University of Massachusetts Press, 1998. © 1998 by the William Joiner Foundation. All Rights Reserved. Reproduced by permission.—Deane, Seamus. From A Short History of Irish Literature. University of Notre Dame Press, 1986. Copyright © 1986 by Seamus Deane. Reproduced by permission.— Durand, Maurice M. and Nguyen Tran Huan. From an introduction to Vietnamese Literature. Columbia University Press, 1985. Translated from the French by D. M. Hawke. © G.P. Maisonneuve et Larose et UNESCO 1969. English-Language translation copyright © 1985 Columbia University Press, New York. All rights reserved. Republished with permission of the Columbia University Press, 562 W. 113th St., New York, NY 10025.—Garratt, Robert F. From Modern Irish Poetry: Tradition and Continuity from Yeats to Heaney. University of California Press, 1986. Copyright © 1986 by The Regents of the University of California. Reproduced by permission.—Huan, Nguyen Tran. From “The Literature of Vietnam, 19541973” in Literature & Society in Southeast Asia. Edited by Tham Seong Chee. Singapore University Press, 1981. Copyright© 1981 Singapore University Press. Reproduced by permission.—Kearney, Richard. From Transitions: Narratives in Modern Irish Culture. Manchester University Press, 1988. © 1988 Richard Kearney. All rights reserved. Reproduced by permission.—Kreilkamp, Vera. From The Anglo-Irish Novel and the Big House. Syracuse University Press, 1998. Copyright © 1998 by Syracuse University Press. All rights reserved. Reproduced by permission.—Maxwell, D. E. S. From A critical history of modern Irish drama 1891-1980. Cambridge University Press, 1984. © Cambridge University Press 1984. Reproduced with the permission of Cambridge University Press.—Murray, Christopher. From “Friel and After: Trends in Theater and Drama” in New Irish Writing: Essays in Memory of Raymond J. Porter. Edited by James D. Brophy and Eamon Grennan. Twayne Publishers, 1989. Copyright 1989 by G.K. Hall & Co. All rights reserved. Reproduced by permission of The Gale Group.—Werner, Craig Hansen. From Playing The Changes. University of Illinois Press, 1994. © 1994 by the Board of Trustees of the University of Illinois. Reproduced by permission.