Mishima, Yukio - Copyright Page

ISSN 0276-8178

Volume 161

Twentieth-Century Literary Criticism

Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Thomas J. Schoenberg Lawrence J. Trudeau

Project Editors

Twentieth-Century Literary Criticism, Vol. 161
Project Editor

Thomas J. Schoenberg and Lawrence J. Trudeau

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Jessica Bomarito, Kathy D. Darrow, Jeffrey W. Hunter, Jelena O. Krstovi´c, Michelle Lee, Russel Whitaker

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 76-46132

ISBN 0-7876-8915-7
ISSN 0276-8178

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Preface

S
ince its inception more than fifteen years ago, Twentieth-Century Literary Criticism (TCLC) has been purchased and used by nearly 10,000 school, public, and college or university libraries. TCLC has covered more than 500 authors, representing 58 nationalities and over 25,000 titles. No other reference source has surveyed the critical response to twentieth-century authors and literature as thoroughly as TCLC. In the words of one reviewer, “there is nothing comparable available.” TCLC “is a gold mine of information—dates, pseudonyms, biographical information, and criticism from books and periodicals—which many librarians would have difficulty assembling on their own.”

Scope of the Series

TCLC is designed to serve as an introduction to authors who died between 1900 and 1999 and to the most significant interpretations of these author’s works. Volumes published from 1978 through 1999 included authors who died between 1900 and 1960. The great poets, novelists, short story writers, playwrights, and philosophers of the period are frequently studied in high school and college literature courses. In organizing and reprinting the vast amount of critical material written on these authors, TCLC helps students develop valuable insight into literary history, promotes a better understanding of the texts, and sparks ideas for papers and assignments. Each entry in TCLCpresents a comprehensive survey on an author’s career or an individual work of literature and provides the user with a multiplicity of interpretations and assessments. Such variety allows students to pursue their own interests; furthermore, it fosters an awareness that literature is dynamic and responsive to many different opinions.

Every fourth volume of TCLC is devoted to literary topics. These topics widen the focus of the series from the individual authors to such broader subjects as literary movements, prominent themes in twentieth-century literature, literary reaction to political and historical events, significant eras in literary history, prominent literary anniversaries, and the literatures of cultures that are often overlooked by English-speaking readers.

TCLC is designed as a companion series to Thomson Gale’s Contemporary Literary Criticism, (CLC) which reprints commentary on authors who died after 1999. Because of the different time periods under consideration, there is no duplication of material between CLC and TCLC.

Organization of the Book

A TCLC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by a heading that consists of the most common form of the title in English translation (if applicable) and the original date of composition.
  • © A Portrait of the Author is included when available.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.
  • © The list of Principal Works is ordered chronologically by date of first publication and lists the most important works by the author. The genre and publication date of each work is given. In the case of foreign authors whose
  • vii

    served. Reproduced by permission.—Chadwick-Joshua, Jocelyn. From The Jim Dilemma: Reading Race in Huckleberry Finn. University Press of Mississippi, 1998. Copyright © 1998 by the University Press of Mississippi. All rights reserved. Reproduced by permission.—Hindus, Milton. From A Reader’s Guide to Marcel Proust. Syracuse University Press, 2001. First published by Farrar Straus and Cudahy, 1962. Copyright © 1962, renewed 1990 by Milton Hindus. Reproduced by permission of Farrar, Straus and Giroux, LLC.—Lester, Julius. From “Morality and Adventures of Huckleberry Finn,” in Satire or Evasion?: Black Perspectives on Huckleberry Finn. Edited by James S. Leonard, Thomas A. Tenney and Thadious M. Davis. Duke University Press, 1992. Copyright © 1992, Julius Lester. Reproduced by permission of the author.— Lingus, Alphonso. From “Seppuku,” in Literature as Philosophy. Philosophy as Literature. Edited by Donald G. Marshall. University of Iowa Press, 1987. Copyright © 1987 by the University of Iowa. All rights reserved. Reproduced by permission of the author.—Mengay, Donald H. From “Body/Talk: Mishima, Masturbation, and Self-Performativity,” in Genealogy and Literature. Edited by Lee Quinby. University of Minnesota Press, 1995. Copyright © 1995 by the Regents of the University of Minnesota. All rights reserved. Reproduced by permission.—Rosengarten, Frank. From The Writings of the Young Marcel Proust (1885-1900): An Ideological Critique. Peter Lang, 2001. Copyright © 2001 Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Skandera-Trombley, Laura E. From Mark Twain in the Company of Women. University of Pennsylvania Press, 1994. Copyright © 1994 by the University of Pennsylvania Press. All rights reserved. Reproduced by permission.—Sloane, David E. E. From Adventures of Huckleberry Finn: American Comic Vision. Twayne Publishers, 1988. Copyright © 1988 by G. K. Hall & Co. All rights reserved. Reproduced by permission of The Gale Group.—Thiher, Allen. From Fiction Rivals Science: The French Novel from Balzac to Proust. University of Missouri Press, 2001. Copyright © 2001 by the Curators of the University of Missouri. All rights reserved. Reproduced by permission.—Washburn, Dennis. From “Structures of Emptiness: Kitsch, Nihilism, and the Inauthentic in Mishima’s Aesthetics,” in Studies in Modern Japanese Literature: Essays and Translations in Honor of Edwin McClellan. Edited by Dennis Washburn and Alan Tansman. Center for Japanese Studies, The University of Michigan, 1997. Copyright © 1997 by the Regents of the University of Michigan. All rights reserved. Reproduced by permission.—Wieck, Carl F. From Refiguring Hucklebery Finn. The University of Georgia Press, 2000. Copyright © 2000 by the University of Georgia Press. All rights reserved. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 161, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Clemens, Samuel, photograph. AP/Wide World Photos. Reproduced by permission.—Proust, Marcel, photograph. AP/Wide World Photos. Reproduced by permission.—Yukio Mishima, Tokyo, Japan, 1966, photograph by Nobuyuki Masaki. AP/ Wide World Photos. Reproduced by permission.

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