Marsh, Edward - Copyright Page

ISSN 0276-8178

Volume 99

Twentieth-Century Literary Criticism

Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Jennifer Baise, Linda Pavlovski Editors

Thomas Ligotti Associate Editor

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Library of Congress Catalog Card Number 76-46132
ISBN 0-7876-4559-1
ISSN 0276-8178
Printed in the United States of America

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of TCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN TCLC, VOLUME 99, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Imago, v. 46, Spring, 1989. Copyright 1989 by The Association for Applied Psychoanalysis, Inc. Reproduced by permission of The Johns Hopkins University Press.—American Literature, v. 57, October, 1985. Reproduced by permission.—American Studies, v. 39, Spring, 1998, for “Marietta Holley and Mark Twain: Cultural-Gender Politics and Literary Reputation” by Charlotte Templin. Copyright © Mid-American Studies Association, 1998. Reprinted by permission of the publisher and the author.—American Transcendental Quarterly, Summer-Fall, 1980. Copyright © 1982 by The University of Rhode Island. Reproduced by permission.—The Arizona Quarterly, v. 29, Winter, 1973 for “Art and Religion in Death Comes for the Archbishop” by Mary-Ann Stouck and David Stouck; v. 41, Spring, 1985 for “Bishop Latour and Professor St. Peter: Cather’s Esthetic Intellectuals” by Margaret Doane. Copyright © 1973, 1985 by the Regents of the University of Arizona. Both reproduced by permission of the publisher and the authors.—Cather Studies, v. 1, 1990. Copyright © The University of Nebraska Press 1990. Reproduced by permission.—The Catholic Historical Review, v. xlvi, January, 1961. Renewed 1989 by Paul Horgan. Reproduced by permission.—Japan Quarterly, v. XXXI, April-June, 1984 for “Reflexivity in the Stories of Kunikida Doppo” by Maya Mortimer. Reproduced by permission of the author.—Journal of American Culture, v. 16, Winter, 1993. Reproduced by permission.—The Journal of American History, v. liii, June, 1966. Renewed 1994. Reproduced by permission.—The Journal of Asian Studies, v. XLIII, August, 1984. Reprinted with permission of the Association for Asian Studies, Inc.—Journal of the Midwest Modern Language Association, v. 22, Fall, 1989 for “Nineteenth-Century American Feminist Humor: Marietta Holley’s ‘Samantha Novels’” by Cheri L. Ross. Copyright © 1989 by The Midwest Modern Language Association. Reproduced by permission of the publisher and the author.—Journal of Negro History, v. 54, April, 1969. Reproduced by permission.—Legacy, v. 2, Spring, 1985. Copyright © The University of Nebraska Press 1985. Reproduced by permission.—Nebraska History, v. 61, Summer, 1980. Reproduced by permission.—Nebraska History and Record of Pioneer Days, v. 59, Winter, 1978. Reproduced by permission.—New Mexico Quarterly, v. xxxvi, Winter, 1966-67 for “Southwest Classics Reread: Death Comes for the Archbishop” by Lawrence Clark Powell. Reproduced by permission of the Literary Estate of Lawrence Clark Powell.—New York Herald Tribune Books, September 11, 1927. Copyright © 1927, renewed 1955 by The New York Times Company. Reproduced by permission.—The New York Times Book Review, September 4, 1927. Copyright © 1927, renewed 1956 by The New York Times Company. Reproduced by permission.—Queen’s Quarterly, v. lxxiii, Summer, 1966 for “Cather’s Mortal Comedy” by D.

H. Stewart. Reproduced by permission of the author.—Rocky Mountain Review of Language and Literature, v. 34, Fall, 1980. Reproduced by permission.—Southern California Quarterly, v. xlviii, September, 1966. Copyright , 1966 by The Historical Society of Southern California. Reproduced by permission.—Spectator, n. 6490, November 14, 1952. Reproduced by permission.—The Spectator, n. 6833, June 12, 1959. Reproduced by permission.—Studies in American Fiction,

v. 13, Spring, 1985. Copyright © 1985 Northeastern University. Reproduced by permission.—Western American Literature, v. vii, 1972p; v. xiii, Summer, 1978; v. xvii, Spring, 1982. Copyright 1972, by the Western American Literature Association. Reproduced by permission.

COPYRIGHTED EXCERPTS IN TCLC, VOLUME 99, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Ashby, LeRoy. From William Jennings Bryan: Champion of Democracy. Twayne Publishers, 1987. Copyright 1987 by LeRoy Ashby. All rights reserved.—Basso, Hamilton. From Mainstream. Reynal & Hitchcock, 1943. Copyright, 1943, by Hamilton Basso. Renewed 1970 by Etolia S. Basso. All rights reserved. Reproduced by permission of the Literary Estate of Hamilton Basso.—Chibbett, David. In an introduction to River Mist and Other Stories. By Kunikida Doppo. Translated by

David G. Chibbett. Paul Norbury Publications Ltd., 1983. English translation © Unesco 1982. All rights reserved. Reproduced by permission.—Clements, Kendrick A. From William Jennings Bryan: Missionary Isolationist. The University of Tennessee Press, 1982. Copryight © 1982 by The University of Tennessee Press/Knoxville. All rights reserved. Reproduced by permission.—Curry, Jane. For “Soaring Into Eloquence for Wimmen’s Rites: My Opinions and Betsey Bobbet’s” in Marietta Holley. Edited by Nancy A. Walker. Twayne Publishers, 1996. Copyright © 1996 by Twayne Publishers. All rights reserved. Reproduced by permission of The Gale Group.—Curry, Jane. From an introduction to Samantha Rastles the Woman Question. University of Illinois Press, 1983. © 1983 by The Board of Trustees of the University of Illinois. Reproduced by permission of the publisher.—Giannone, Richard. From Musical in Willa Cather’s Fiction. University of Nebraska Press, 1968. Copyright © 1968, renewed 1996 by the University of Nebraska Press. Reproduced by permission.—Johnson, Gerald W. From These United States. Edited by Louis W. Jones, William Huse, Jr. and Harvey Eagleson. Ray Long & Richard R. Smith, 1931. Copyright, 1933, by Ray Long & Richard R. Smith, Inc. Renewed 1962 by Louis W. Jones, William Huse, Jr. and Harvey Eagleson. Reproduced by permission.—Jones, Edgar Dewitt. From Lords of Speech: Portraits of Fifteen American Orators. Willett, Clark & Company, 1937. Copyright, 1937 by Willett, Clark & Company. Renewed 1964 by Willis R. Jones. Reproduced by permission.—Mencken, H. L. From Prejudices, Fifth Series. Alfred A. Knopf, 1926. Copyright, 1926, by Alfred A. Knopf, Inc. Renewed 1954 by H. L. Mencken. Reproduced by permission of Alfred A. Knopf, Inc.—Sieveking, Lance. From The Saturday Book. Edited by John Hadfield. Hutchinson & Company, 1955. Reproduced by permission.—Turner, Frederick. From Spirit of Place: The Making of an American Literary Landscape. Sierra Club Books, 1989. Copyright © 1989 by Frederick Turner. Reproduced by permission.—Warner, Ted J. From Willa Cather: Family, Community, and History. Edited by John J. Murphy with Linda Hunter Adams and Paul Rawlins. Brigham Young University, 1990. Reproduced by permission.—Watkins, Floyd C. From In Time and Place: Some Origins of American Fiction. The University of Georgia Press, 1977. Copyright © 1977 by the University of Georgia Press. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 99 WERE RECEIVED FROM THE FOLLOWING SOURCES:

Bryan, William Jennings (seated in chair), photograph. The Library of Congress.—Cather, Willa, photograph. The Bettmann Archive/Corbis-Bettmann. Reproduced by permission.