Criticism > Twentieth-Century Literary Criticism > Malamud, Bernard - Irving Malin (essay date fall 1980)
Malamud, Bernard - Irving Malin (essay date fall 1980)
Irving Malin (essay date fall 1980)
SOURCE: Malin, Irving. “Portrait of the Artist in Slapstick: Malamud's Pictures of Fidelman.” Literary Review: An International Journal of Contemporary Writing 24, no. 1 (fall 1980): 121-38.
[In the following essay, Malin suggests autobiographical elements in Pictures of Fidelman that allow Malamud to explore his role as an artist.]
Although many critics have written about Bernard Malamud as an American-Jewish author—I plead guilty to this kind of grouping—they have not seen that he is also concerned in his fiction with the relationship of art and life. In the recent Dubin's Lives we have, for example, the double meaning of “lives”; the hero is a biographer-critic who cannot easily reconcile art and life; he persists in regarding his own middle age as a troubling artwork; he is at times an “autobiographical character.”
Malamud's earlier novel, Pictures of...
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- Introduction
- Principal Works
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Criticism
- Bernard Malamud and Leslie and Joyce Field (interview date 1975)
- Jackson J. Benson (essay date 1977)
- Irving Malin (essay date fall 1980)
- Iska Alter (essay date 1981)
- Iska Alter (essay date 1981)
- Dorothy Seidman Bilik (essay date 1981)
- Chiara Briganti (essay date 1983)
- Barbara Koenig Quart (essay date 1983)
- Ellen Pifer (essay date fall 1988)
- Arvindra Sant (essay date fall 1988)
- James M. Mellard (essay date 1989)
- Irving H. Buchen (essay date spring 1990)
- Victoria Aarons (essay date spring 1992)
- Sharon Deykin Baris (essay date spring 1992)
- Edward A. Abramson (essay date 1993)
- Edward A. Abramson (essay date 1993)
- Peter C. Brown (essay date spring 1997)
- Andrew Furman (essay date 1997)
- John A. Lauricella (essay date 1999)
- Further Reading
- Copyright
