Criticism > Twentieth-Century Literary Criticism > Malamud, Bernard - Arvindra Sant (essay date fall 1988)
Malamud, Bernard - Arvindra Sant (essay date fall 1988)
Arvindra Sant (essay date fall 1988)
SOURCE: Sant, Arvindra. “Surrealism and the Struggle for Identity in The Fixer.” Studies in American Jewish Literature 7, no. 2 (fall 1988): 177-88.
[In the following essay, Sant explains the significance of Malamud's use of fantasy and the surreal in his protagonist's imprisonment and eventual physical and emotional freedom.]
“I thought that if I could make the fantasy world real, then I could make Yakov's world real.”
—Bernard Malamud in an interview
The alienated self, cut off from society and even from itself, is nowhere more powerfully portrayed than in Bernard Malamud's The Fixer. Malamud's paradoxical philosophy of ultimate, internal freedom being achieved only through some kind of bondage is taken to an extreme in this novel, as we see the protagonist, Yakov Bok, imprisoned not only physically but also morally and emotionally. In...
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- Introduction
- Principal Works
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Criticism
- Bernard Malamud and Leslie and Joyce Field (interview date 1975)
- Jackson J. Benson (essay date 1977)
- Irving Malin (essay date fall 1980)
- Iska Alter (essay date 1981)
- Iska Alter (essay date 1981)
- Dorothy Seidman Bilik (essay date 1981)
- Chiara Briganti (essay date 1983)
- Barbara Koenig Quart (essay date 1983)
- Ellen Pifer (essay date fall 1988)
- Arvindra Sant (essay date fall 1988)
- James M. Mellard (essay date 1989)
- Irving H. Buchen (essay date spring 1990)
- Victoria Aarons (essay date spring 1992)
- Sharon Deykin Baris (essay date spring 1992)
- Edward A. Abramson (essay date 1993)
- Edward A. Abramson (essay date 1993)
- Peter C. Brown (essay date spring 1997)
- Andrew Furman (essay date 1997)
- John A. Lauricella (essay date 1999)
- Further Reading
- Copyright
