Linda Pavlovski Editor

COPYRIGHTED EXCERPTS IN TCLC, VOLUME 104, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Mercury, for H.L. Mencken in a review of “Christians Only,” v. XXII, May, 1931. Copyright 1931 by American Mercury Magazine, Inc. Reproduced by permission of the Enoch Pratt Free Library on behalf of author.—Canadian Slavic Studies, v. 5, Fall, n. 3, pp. 301-26, 1971. Copyright © 1971 by Charles Schlacks, Jr. and Arizona State University. Reproduced by permission of the publisher.—ELH, v. 54, Summer, 1987; v. 60, Summer, 1993 . Copyright © 1987 and 1993 by The Johns Hopkins University Press. Both reproduced by permission.—The English Historical Review, v. LIII, January, 1938; v. LXIII, January, 1948. Copyright 1938, renewed 1966; copyright 1948, renewed 1976 by the Oxford University Press. Both reproduced by permission of the publisher and the author.—Forum for Modern Language Studies, v. XVL, October, 1980. Copyright © 1980 by Oxford University Press. Reproduced by permission.—Glas, v.6, 1993. University of Birmingham, 1993. Copyright © 1993 by University of Birmingham, United Kingdom. Reproduced by permission of the publisher.—The Journal of Philosophy, v. XXVI, July, 1929 for a review of The Growth of Philosophical Radicalism by Emery Neff. Copyright 1929, renewed 1957 by The Journal of Philosophy, Inc. Reproduced by permission of the publisher and the author.— Journalism Quarterly, v. XIII, March, 1936; v. 18, June, 1941. Copyright 1936, renewed 1964; copyright 1941, renewed 1969 by the American Association of Schools and Departments of Journalism and American Association of Teachers of Journalism. Both reproduced by permission.—Modern Age, v. 27, Winter, 1983; v. 28, Spring-Summer, 1984. Copyright © 1983 and 1984 by the Intercollegiate Studies Institute, Inc. Both reproduced by permission.—The Modern Language Review, v. 92, January, 1997. Copyright © 1997 by Modern Humanities Research Association. Reproduced by permission.—The New Criterion, v. ii, June, 1993 for “Who Was Wyndham Lewis?” by Victor M. Cassidy. Copyright © 1993 by Victor M. Cassidy. Reproduced by permission of the author.—Philosophy, v. 73, January, 1998 for “A Critique of Elie Halevy” by Francisco Vergara. Copyright © 1998 by Cambridge University Press. Reprinted with permission of Cambridge University Press and the author.—The Russian Review, v. 32, July, 1973; v. 57, January, 1998. Copyright © 1973 and © 1998 by The Russian Review. Reproduced by permission.—Slavic Review, v. 52, Spring, 1993. Copyright © 1993 by The Slavic Review. Reproduced by permission.—Thought, v. XVI, December, 1941. Copyright 1941, renewed 1969 by Fordham University Press. Reproduced by permission.—Transactions of the Royal Historical Society, v. 25, 1975. Copyright © 1975 by J.D. Walsh. Reproduced by permission of the publisher and author.—Twentieth Century Literature, v. 37, Summer, 1991; v. 40, Fall, 1994/Summer 1994; v. 42, Winter, 1996. Copyright © 1991, 1994, 1996 by Hofstra University Press. Reproduced by permission.

COPYRIGHTED EXCERPTS IN TCLC, VOLUME 104, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Auster, Paul. From The Art of Hunger: Essays, Prefaces, Interviews. Sun & Moon Press, 1992. Copyright © by Paul Auster. Biographical information Copyright © 1992 Sun & Moon Press. All rights reserved. Reproduced by permission.— Balakian, Anna. From “A Triptych of Modernism: Reverdy, Huidobro, and Ball” in Modernism: Challenges and Perspectives. Monique Chefdor, Ricardo Quinones, and Albert Wachtel, eds. University of Illinois Press, 1986. Copyright © 1986 by the Board of Trustees of the University of Illinois. Reproduced by permission.—Ball, Hugo. From “The First Dada Manifesto” translated by Erdmute Wenzel White, in The Magic Bishop: Hugo Ball, Dada Poet. By Erdmute Wenzel White. Camden House, 1998. Copyright © 1998 by Erdmute Wenzel White. All rights reserved. Reproduced by permission.—Campbell, SueEllen. From The Enemy Opposite: The Outlaw Criticism of Wyndham Lewis. Ohio University Press, 1988. Copyright © 1988 by Sue Ellen Campbell. All rights reserved. Reproduced by permission.—Cerf, Bennett. From “Heywood Broun” in The Saturday Review Gallery. Edited by Jerome Beatty, Jr. and others. Simon and Schuster, 1959.

Copyright © 1979 by The Saturday Review, Inc. Reproduced by permission of the General Media International, Inc.— Crone, Anna Lisa. From “Rozanov and Autobiography: The Case of Vasily Vasilievich” in Autobiographical Statements in Twentieth-Century Russian Literature. Edited by Jane Gary Harris. Princeton University Press, 1990. Copyright © 1990 by Princeton University Press. All rights reserved. Reproduced by permission.—Elderfield, John. From an introduction to Flight Out of Time: A Dada Diary by Hugo Ball. Edited by John Elderfield and translated by Ann Raimes. University of California Press, 1996. Copyright © 1996 by the Reagents of the University of California. Reproduced by permission.— Engelstein, Laura. From The Keys to Happiness: Sex and the Search for Modernity in Fin-de-Siecle Russia. Cornell University Press, 1992. Copyright © 1992 by Cornell University. All rights reserved. Reproduced by permission of Cornell University Press.—From a preface in Era of Tyrannies: Essays on Socialism and War by Elie Halevy, translated by R.K. Webb and Fritz Stern. Doubleday, 1965. Copyright © 1965 by Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc. Used by permission of Doubleday, a division of Random House, Inc.—Poggioli, Renato. From The Phoenix and the Spider: A Book of Essays About Some Russian Writers and Their View of the Self by Renato Poggioli. Harvard University Press, 1957. Copyright © 1957, renewed 1985 by the President and Fellows of Harvard College. Reproduced by the permission of the publisher.—Himmelfarb, Gertrude. From Victorian Minds. Alfred A. Knopf, 1968. Copyright © 1968 by Gertrude Himmelfarb. All rights reserved. Reproduced by permission of the author.—Last, Rex W. From German Dadaist Literature: Kurt Schwitters, Hugo Ball, Hans Arp. Twayne Publishers, Inc., 1973. Copyright © 1973 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission.—Lawrence, D. H. From “On Dostoievsky and Rozanov,” in Russian Literature and Modern English Fiction: A Collection of Critical Essays. Edited by Donald Davie. The University of Chicago Press-Heinemann, 1936. Copyright 1936, renewed 1964 by Laurence Pollinger Ltd. Reproduced by permission of Laurence Pollinger, Ltd., and the Estate of the late Frieda Lawrence.—Loewenstein, Andrea Freud. From in Loathsome Jews and Engulfing Women: Metaphors of Projection in the Works of Wyndham Lewis, Charles Williams, and Graham Greene. New York University Press, 1993. Copyright © 1993 by New York University. All rights reserved. Reproduced by permission.—Quema, Anne. From an introduction to The Agon of Modernism: Wyndham Lewis’s Allegories, Aesthetics, and Politics. Bucknell University Press, 1999. Copyright © 1999 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Rabinbach, Anson. From an introduction to Critique of the German Intelligentsia. By Hugo Ball, translated by Brian L. Harris. Columbia University Press, 1993. Copyright © 1993 by Columbia University Press. All rights reserved. Reproduced by permission of the publisher.—Schenker, Daniel. From Wyndham Lewis: Religion and Modernism. University of Alabama Press, 1992. Copyright © 1992 by The University of Alabama Press. Reproduced by permission.—Sherry, Vincent. From Ezra Pound, Wyndham Lewis, and Radical Modernism. Oxford University Press, 1993. Copyright © 1993 by Oxford University Press, Inc. Reproduced by permission.—White, Erdmute Wenzel. From The Magic Bishop: Hugo Ball, Dada Poet. Camden House, 1998. Copyright © 1998 by Erdmute Wenzel White. All rights reserved. Reproduced by permission of the author.—Zenkovskii, V. V. From “V. V. Rosanov and V. F. Ehrn,” in Russian Thinkers and Europe. Translated by Galia S. Bodde. American Council of Learned Societies, 1953. Copyright 1953 by American Council of Learned Societies. Reproduced by permission.

PHOTOGRAPHS APPEARING IN TCLC, VOLUME 104, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Broun, Matthew Heywood, photograph. © Corbis-Bettmann. Reproduced by permission.—Lewis, Wyndham, slide. Archive Photos, Inc. Reproduced by permission.