Linda Pavlovski Project Editor

Beebe, Maurice. From Ivory Towers and Sacred Founts: The Artist as Hero in Fiction from Goethe to Joyce. New York University Press, 1964. Reproduced by permission.—Chace, William M. From The Political Identities of Ezra Pound and

T. S. Eliot. Stanford University Press, 1973. Copyright © 1973 by the Board of Trustees of the Leland Stanford Jr. University. Reproduced by permission of Stanford University Press, www.sup.org.—DuPlessis, Rachel Blau. From Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers. Indiana University Press, 1985. Copyright © 1985 Rachel Blau DuPlessis. Reproduced by permission of the author.—Engelberg, Howard. From “James and Arnold: Conscience and Consciousness in a Victorian Künstlerroman,” in Henry James’s Major Novels: Essays in Criticism. Edited by Lyall H. Powers. Michigan State University Press, East Lansing, Michigan, 1973. Reproduced by permission.— Fiedler, Leslie. From New Approaches to Ezra Pound: A Co-ordinated Investigation of Pound’s Poetry and Ideas. University of California Press, 1969. Reproduced by permission of The Regents of the University of California.—Fraser, G. S. From Ezra Pound. Barnes and Noble, 1960. Copyright © 1960 Text and Bibliography G. S. Fraser. Reproduced by permission of the Literary Estate of G. S. Fraser.—Hajek, Igor. From “Samizdat Literature: An Introduction,” in Goodbye Samizdat: Twenty Years of Czechoslovak Underground Writing. Edited By Marketa Goetz-Stankiewicz. Northwestern University Press, 1992. Copyright © 1992, by Northwestern University Press. All rights reserved. Reproduced by permission.—Jablon, Madelyn. From Black Metafiction: Self-Consciousness in African American Literature. University of Iowa Press, 1997. Copyright © 1997 by the University of Iowa Press. All rights reserved. Reproduced by permission.—Kazin, Alfred. From “Homer to Mussolini: The Fascination and Terror of Ezra Pound,” in Ezra Pound: The Legacy of Kulchur. Edited by Mar

cel Smith and William A. Ulmer. The University of Alabama Press, 1988. Copyright © 1988 by Alfred Kazin. Reproduced by permission of The Wylie Agency, Inc.—Loeber, Dietrich A. From “Samizdat Under Soviet Law,” in Contemporary Soviet Law: Essays in Honor of John N. Hazard. Edited by Donald D. Barry, William E. Butler, and George Ginsburgs. Martinus Nijhoff, 1974. Copyright © 1974, by Martinus Nijhoff. All rights reserved. Reproduced by permission of Brill Academic Publishers.—Mahlendorf, Ursula R. From The Wellsprings of Literary Creation: An Analysis of Male and Female “Artist Stories” from the German Romantics to American Writers of the Present. Copyright © 1985 by Camden House, Inc. All rights reserved. Reproduced by permission of Boydell & Brewer, Ltd.—Meerson-Aksenov, Michael. From “The Dissident Movement and Samizdat,” in The Political, Social and Religious Thought of Russian “Samizdat”: An Anthology. Edited by Michael Meerson-Aksenov and Boris Shragin. Translated by Nicholas Lupinin. Nordland Publishing Company, 1977. Copyright © Nicholas Lupinin. Reproduced by permission of the translator, Nicholas Lupinin.—Nicholson, Michael. From “Solhenitsyn and Samizdat,” in Aleksandr Solhenitsyn: Critical Essays and Documentary Materials. Edited by John B. Dunlop, Richard Haugh, and Alexis Klimoff. Nordland Publishing Company, 1973. Copyright © 1973, by Nordland Publishing Company. All rights reserved. Reproduced by permission of the author.—North, Michael. From “Where Memory Faileth: Forgetfulness and a Poem Including History,” in Ezra Pound: The Legacy of Kulchur. Edited by Marcel Smith and William A. Ulmer. The University of Alabama Press. 1988. Copyright © 1988 by The University of Alabama Press. All rights reserved. Reproduced by permission.—Serat, Roberta. From Voyage Into Creativity: The Modern Künstlerroman. Copyright © 1992 by Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Stock, Noel. From Poet in Exile. Barnes & Noble, Inc , 1964. Copyright © 1964 by Noel Stock. All rights reserved. Reproduced by permission of the author.—Stouck, David. From Willa Cather’s Imagination. University of Nebraska Press, 1975. Copyright © 1975 by University of Nebraska Press. Copyright © renewed 1993 by the University of Nebraska Press. Reproduced by permission.—Tate, Allen. From Collected Essays. Allan Swallow Publishers, 1959. Reproduced by permission of the Literary Estate of Allen Tate.—Trites, Roberta Seelinger. From Waking Sleeping Beauty: Feminist Voices in Children’s Literature. University of Iowa Press, 1997. Copyright © 1997 by the University of Iowa Press. All rights reserved. Reproduced by permission.—Watts, Harold H. From “Reckoning,” in Ezra Pound: A Collection of Critical Essays. Edited by Walter Sutton. Prentice-Hall, 1963. Reproduced by permission of the Literary Estate of Harold H. Watts.— Wilhelm, J. J. From Ezra Pound: The Tragic Years (1925-1972). The Pennsylvania State University Press, 1994. Copyright © 1994 The Pennsylvania State University. All rights reserved. Reproduced by permission of the publisher.—Young, Kevin. From “Visiting St. Elizabeths: Ezra Pound, Impersonation, and the Mask of the Modern Poet,” in Ezra Pound and African American Modernism. Edited by Michael Coyle. National Poetry Foundation, 2001. Copyright © 2001 by the National Poetry Foundation. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 150, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Akhmatova, Anna Andreevna, photograph. The Library of Congress.—Kennedy, Paul E., illustrator. From a cover of A Portrait of the Artist as a Young Man, by James Joyce. Dover Publications, Inc., 1994. Reproduced by permission.—Mann, Thomas, photograph. The Library of Congress.—Paperback edition of The Awakening and Selected Stories, by Kate Chopin. Jay Colton/Time Life Pictures/Getty Images. Reproduced by permission.—Pasternak, Boris, photograph. Copyright

© Jerry Cooke/Corbis. Reproduced by permission.—Pound, Ezra, photograph. The Library of Congress.—Tvardovsky, Aleksandr, editor of the Soviet literary journal “Novy Mir,” April 27, 1961. Copyright © Bettmann/Corbis. Reproduced by permission.—Von Goethe, Johann Wolfgang, photograph. Copyright © Bettmann/Corbis. Reproduced by permission.