Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Acknowledgments

COPYRIGHTED MATERIAL IN TCLC, VOLUME 125, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

African American Review, v. 31, Summer, 1997 for review of “The Memphis Diary,” by Gabrielle Forman. Reproduced by permission of the author.—Anglia, v. 112, 1994. Reproduced by permission.—Annali d’Italianistica, v. 15, 1997. Reproduced by permission.—Black Scholar, v. 24, Winter, 1994. Reproduced by permission.—Canadian Forum, v. 27, August, 1947 for “Italian Villages,” by G. J. Wood. Reproduced by permission of the author.—Christian Science Monitor, v. 50, November 10, 1958. Reproduced by permission.—The Commonweal, v. 46, May 2, 1947; v. 54, August 10, 1951. Reproduced by permission.—English Literature in Transition, v. 31, 1988. Reproduced by permission.—ETC: A Review of General Semantics, v. 37, no. 4, Winter, 1980. Reproduced by permission of the International Society for General Semantics, Concord, California.—Hudson Review, v. 4, Autumn, 1951. Reproduced by permission.—Italica, v. 56, Summer, 1979; v. 72, Summer, 1995. Reproduced by permission.—Journal of Humanistic Psychology, v. 35, Fall, 1995 for “The Application of Rogerian Theory to Literary Study,” by Samuel J. Sackett; v. 59, Winter, 1992 for “‘Howards End’ Revisited,” by Alfred Kazin. © 1992 by Alfred Kazin. Reproduced by permission of Sage Publications and The Wylie Agency respectively.—Modern Fiction Studies, v. 10, Winter, 1964-65. Reproduced by permission.—The Nation, v. 164, May 24, 1947; v. 173, July 21, 1951; v. 194, June 2, 1962. Reproduced by permission.—The New Republic, v. 122, April 3, 1950;

v. 125, July 30, 1951. Reproduced by permission —New York Herald Tribune Book Review, September 7, 1958; March 11, 1962. Reproduced by permission.—Papers on Language and Literature, v. 21, Summer, 1985. Southern Illinois University Board of Trustees. Reproduced by permission.—Partisan Review, v. 18, September-October, 1951 for “The Miraculous Ayme and Others,” by Delmore Schwartz. Reproduced by permission of the author.—Psychology Today, v. 1, December, 1967. Reproduced by permission.—Quarterly Journal of Speech, v. 72, November, 1986 for “Style and Content in the Rhetoric of Early Afro-American Feminists,” by Karlyn Kohrs Campbell. Reproduced by permission of the publisher and the author.—Rhetoric Review, v. 8, Sprint, 1990. Reproduced by permission.—Rhetoric Society Quarterly, v. 17, Winter, 1987. Reproduced by permission.—Saturday Review of Literature, v. 30, April 19, 1947; v. 33, February 25, 1950; v. 34, June 30, 1951. Reproduced by permission.—The Saturday Review, v. 41, September 6, 1958. Reproduced by permission.—Style, v. 31, Summer, 1997 for “‘Only Connecting’ with the Family: Class, Culture and Narrative Therapy in E. M. Forster’s ‘Howards End,’” by Kenneth Womack. Reproduced by permission of the publisher and the author.—Texas Studies in Literature and Language, 35:3, pp. 347-62, Fall, 1993 for “E. M. Forster’s Prophetic Vision of the Modern Family in ‘Howards End,’” by Jeane N. Olson. Copyright © 1993 by the University of Texas Press. All rights reserved. Reproduced by permission of the publisher and the author.—Times Literary Supplement, December 13, 1928. Reproduced by permission.—Twentieth Century Literature, v. 31, Summer-Fall, 1985; v. 45, Spring, 1999; v. 46, Fall, 2000. Reproduced by permission.—The Writer, v. 54, December, 1941; v. 63, November, 1950. Reproduced by permission.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 125, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Born, Daniel. From “Private Garden, Public Swamps: ‘Howards End’ and the Revaluation of Liberal Guilt,” in The Birth of Liberal Guilt in the English Novel: Charles Dickens to H. G. Wells. University of North Carolina Press, 1995. Copyright © 1995 by University of North Carolina Press. All rights reserved. Reproduced by permission of the publisher.— Braxton, Joanne M. From “Crusader for Justice: Ida B. Wells,” in Black Women Writing Autobiography: A Tradition within a Tradition as it appears in Black Women Writing Autobiography. Temple University Press, 1989. Copyright © 1989 by Temple University Press. All rights reserved. Reproduced by permission of Temple University Press.—Daleski, H.

M. From “‘Howards End’: Goblins and Rainbows,” in Unities: Studies in the English Novel. University of Georgia Press,

1985. Copyright © 1985 by University of Georgia Press. All rights reserved. Reproduced by permission.—Feltes, N. N. From “Anyone of Everybody: Net Books and ‘Howards End,’” in Modes of Production of Victorian Novels. University of Chicago Press, 1986. Copyright © 1986 by University of Chicago Press. All rights reserved. Reproduced by permission.— Hall, James. From “Family Reunions: E. M. Forster,” in The Tragic Comedians: Seven Modern British Novelists 1963. Copyright © 1963 by Prentice-Hall, Inc. All rights reserved. Reproduced by permission.—Langland, Elizabeth. From “Gesturing towards an Open Space: Gender, Form and Language in ‘Howards End,’” in E. M. Forster. Macmillan, 1995. Copyright © 1995 by Macmillan. All rights reserved. Reproduced by permission.—Martin, Abigail Ann. Bess Streeter Aldrich. Boise State University Printing, 1992. Copyright © 1992 by Boise State University, Western Writing Series, 1992. Copyright © 1992 by Boise State University. All rights reserved. Reproduced by permission.—McMurry, Linda O. From “Antilynching Lectures,” in To Keep the Waters Troubled: The Life of Ida B. Wells. Oxford University Press, 1998. Copyright © 1998 by Oxford University Press. All rights reserved. Reproduced by permission.—Meisel, Perry. From “‘Howards End’: Private Words and Public Languages,” in The Myth of the Modern: A Study in British Literature and Criticism after 1850. Yale University Press, 1987. Copyright © 1987 by Yale University Press. All rights reserved. Reproduced by permission.—Petersen, Carol Miles. From Introduction to The Collected Short Works 1907-1919 by Bess Streeter Aldrich, 1995. Copyright © 1995. All rights reserved. Reproduced by permission.—Schneidau, Herbert N. From “Safe as Houses: Forster as Cambridge Anthropologist,” in Waking Giants: The Presence of the Past in Modernism. Oxford University Press, 1991. Copyright © 1991 by Oxford University Press. All rights reserved. Reproduced by permission.—Sillars, Stuart. From “‘Howards End’ and the Dislocation of Narrative,” in Structure and Dissolution in English Writing. St. Martin’s Press, Inc., 1999. Copyright © 1999 by St. Martin’s Press, Inc. All rights reserved. Reproduced by permission.—Thomson, George H. From “Howards End,” in The Fiction of E. M. Forster. Wayne State University Press, 1967. Copyright © 1967 by Wayne State University Press. All rights reserved. Reproduced by permission.—Thorne, Brian. From “Criticisms and Rebuttal,” in Carl Rogers. SAGE Publications, 1992. Copyright © 1992 by SAGE Publications. All rights reserved. Reproduced by permission.—Townes, Emilie Maureen. From “Ida B. Wells-Barnett: Her Social and Moral Perspective,” in Womanist Justice, Womanist Hope. Scholars Press, 1993. Copyright © 1993 by Scholars Press. All rights reserved. Reproduced by permission of the publisher and the author.—Ward, David. From “Carlo Levi: From Croce to Vico,” in Antifascisms: Cultural Politics in Italy, 1943-46. Associated University Presses, 1996. Copyright © 1996 by Associated University Presses. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 125, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Forster, E. M., photograph. AP/Wide World Photos, Inc. Reproduced by permission.—Levi, Carlo, photograph by Carl Van Vechten. Reproduced by permission of the Estate of Carl Van Vechten.—Rogers, Carl, photograph. Corbis-Bettmann. Reproduced by permission.—Wells-Barnett, Ida B, photograph. Archive Photos/R. Gates. Reproduced by permission.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library