Criticism > Twentieth-Century Literary Criticism > Howards End, E. M. Forster - Barry R. Westburg (essay date winter 1964-65)
Howards End, E. M. Forster - Barry R. Westburg (essay date winter 1964-65)
Barry R. Westburg (essay date winter 1964-65)
SOURCE: Westburg, Barry R. “Forster's Fifth Symphony: Another Aspect of Howards End.” Modern Fiction Studies 10, no. 4 (winter 1964-65): 359-65.
[In the following essay, Westburg interprets Helen Schlegel's response to hearing Beethoven's Fifth Symphony as indicative of her feelings about the various dichotomies the novel suggests.]
Helen Schlegel, one of E. M. Forster's characters in Howards End, envisions “heroes and shipwrecks in the music's flood” when she hears Beethoven's Fifth Symphony at a Queen's Hall concert; and she goes on to imagine “gusts of splendour, gods and demi-gods contending with vast swords, colour and fragrance broadcast on the field of battle, magnificent victory, magnificent death!” (p. 33).1 Purists of the arts would perhaps object to Helen's response to the symphony, because she here interprets music partially in terms of...
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Criticism
- James Hall (essay date 1963)
- Barry R. Westburg (essay date winter 1964-65)
- George H. Thomson (essay date 1967)
- Michael Levenson (essay date summer 1985)
- Pat C. Hoy II (essay date summer-fall 1985)
- Mary Pinkerton (essay date summer-fall 1985)
- H. M. Daleski (essay date 1985)
- N. N. Feltes (essay date 1986)
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- Herbert N. Schneidau (essay date 1991)
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- Jeane N. Olson (essay date fall 1993)
- Burkhard Niederhoff (essay date 1994)
- Daniel Born (essay date 1995)
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- Kenneth Womack (essay date summer 1997)
- Michael J. Hoffman and Ann Ter Haar (essay date spring 1999)
- Stuart Sillars (essay date 1999)
- Henry S. Turner (essay date fall 2000)
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