A Farewell to Arms, Ernest Hemingway - Copyright Page

A Farewell to Arms, Ernest Hemingway - Copyright Page

ISSN 0276-8178

Volume 115

Twentieth-Century Literary Criticism

Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Linda Pavlovski Editor

Scott Darga Associate Editor

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Library of Congress Catalog Card Number 76-46132
ISBN 0-7876-5231-8
ISSN 0276-8178
Printed in the United States of America

10987654321

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of TCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 115, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 60, May, 1988. Copyright © 1988 by the Duke University Press. Reproduced by permission.— Comparative Drama, v. 20, Fall, 1986. Copyright © 1986, by the Editors of Comparative Drama. Reproduced by permission.—Dada Surrealism, v. 7, 1977. Reproduced by permission.—English Studies, v. 53, December, 1972. © 1972 by Swets & Zeitlinger N.V. Reproduced by permission.—Etudes Germaniques, v. 24, July, 1969. Reproduced by permission.—German Life and Letters, v. 22, July, 1969; v. 50, October, 1997. © Blackwell Publishers Ltd. 1997. Reproduced by permission of Blackwell Publishers.—The International Fiction Review, v. 11, Winter, 1984. Copyright © 1984 International Fiction Association. Reproduced by permission.—Journal of Humanistic Psychology, v. 35, Fall, 1995 for “The Birth of Client-Centered Therapy: Carl Rogers, Otto Rank, and ‘The Beyond,’” by Robert Kramer, pp. 54-110. © 1995 Sage Publications, Inc. Reproduced by permission of Sage Publications, Inc.—Journal of the Otto Rank Association, v. 11, 1976. Copyright © 1976 Otto Rank Association/Columbia University Press. All rights reserved. Reproduced by permission of the publisher.—Judaism, v. 14, no. 1, Winter, 1965. Copyright 1965 American Jewish Congress. Reproduced by permission.—The Kenyon Review, v. IX, Winter, 1947. Copyright 1947 by Kenyon College. All rights reserved. Reproduced by permission.—Modern Austrian Literature, v. 20, 1987. © Copyright International Arthur Schnitzler Association 1987. Reproduced by permission.—Modern Fiction Studies, v. VII, Summer, 1961; v. IV, Autumn, 1968; v. 40, Winter, 1994. Copyright © 1961, 1968, 1995 by the Purdue Research Foundation. Reproduced by permission of Johns Hopkins University Press.—New Statesman, v. 87, March 22, 1974. © 1974 Statesman & Nation Publishing Company Limited. Reproduced by permission.—New York Herald Tribune Books, v. 11, April 28, 1935. © 1935 New York Herald Tribune, Inc. All rights reserved. Reproduced by permission.—Papers on Language and Literature, v. 10, 1974. Reproduced by permission.—Punch, v. 174, April 25, 1928. Reproduced by permission.—Saturday Review, London, v. 148, December 7, 1929. Reproduced by permission.—Saturday Review of Literature, v. XI, April 27, 1935; v. XIX, March 18, 1939; August 6, 1949. © 1935, 1939, 1949 Saturday Review Magazine, © 1979 General Media International, Inc. Reproduced by permission.—Studies in American Fiction, v. 15, Spring, 1987. Copyright © 1987 Northeastern University. Reproduced by permission.—Symposium, v. 24, Winter, 1970; v. 40, Fall, 1986. Reproduced by permission.—Times Literary Supplement, n. 3387, January 26, 1967. © The Times Supplements Limited 1967. Reproduced from The Times Literary Supplement by permission.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 115, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Bahr, Ehrhard. From “Max Brod as a Novelist: From the Jewish ‘Zeitroman’ to the Zionist Novel,” in Von Franzos zu Canetti: Judische Autoren aus Osterreich Neue Studien. Edited by Mark H. Gelber, Hans Otto Horch, Sigurd Paul Scheichl. Max Niemeyer Verlag, 1996. © Max Niemeyer Verlag GmbH & Co., 1996. Reproduced by permission of the publisher and author.—Becker, Ernest. From The Denial of Death. The Free Press, 1973. Copyright © 1973 by The Free Press, a division of Macmillan Publishing Co., Inc. Reproduced by permission.—Bell, Millicent. From “‘A Farewell to Arms’: Pseudoautobiography and Personal Metaphor,” in Ernest Hemingway: The Writer in Context. Edited by James Nagel. The University of Wisconsin Press, 1984. Copyright © 1984 The Board of Regents of the University of Wisconsin System. Reproduced by permission.—Bergel, Lienhard. From “Max Brod and Herbert Tauber,” in Kafka Problem. Edited by Angel Flores. New Directions, 1946. Reproduced by permission.—Fetterley, Judith. From “‘A Farewell to Arms’: Hemingway’s ‘Resentful Cryptogram,’” in The Authority of Experience: Essays in Feminist Criticism. Edited by Arlyn Diamond and Lee R. Edwards. © 1977 University of Massachusetts Press. Reproduced by permission.—Kramer, Robert. From

“Insight and Blindness: Visions of Rank,” in A Psychology of Difference: The American Lectures. By Otto Rank, edited by Robert Kramer. Princeton University Press, 1996. Copyright © 1996 by Princeton University Press. Reproduced by permission of Princeton University Press.—Last, R. W. From Hans Arp: The Poet of Dadaism. Oswald Wolff, 1969. © Oswald Wolff (Publishers) Limited. Reproduced by permission.—Lewis, Wyndham. From Men without Art. Cassell & Company Ltd., 1934. Reproduced by permission of Simon & Schuster, Inc.—Matthews, J. H. From Surrealist Poetry in France. Syracuse University Press, 1969. Copyright © 1969 by Syracuse University Press. All rights reserved. Reproduced by permission of the publisher.—Menaker, Esther. From Otto Rank: A Rediscovered Legacy. Columbia University Press, 1982. Copyright © 1982 by Columbia University Press. Reproduced by permission.—Pazi, Margarita. From “Max Brod: ‘Unambo’,” in Turn-of-the-Century Vienna and Its Legacy: Essays in Honor of Donald G. Daviau. Edited by Jeffrey B. Berlin, Jorun B. Johns, Richard H. Lawson. Edition Atelier, 1993. © 1993 Edition Atelier. Reproduced by permission.— Phelan, James. From Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Ohio State University Press, 1996. Copyright © 1996 by the Ohio State University Press. Reproduced by permission.—Rudnytsky, Peter L. From an introductory essay to The Incest Theme in Literature and Legend: Fundamentals of a Psychology of Literary Creation, pp. xi

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 115, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Arp, Jean, photograph. Archive Photos, Inc. Reproduced by permission.—Boyd, James, photograph. THE LIBRARY OF CONGRESS.—Brod, Max, photograph. Hulton/Archive Photos, Inc. Reproduced by permission.—Hemingway, Ernest, photograph. Corbis-Bettmann. Reproduced by permission.—Otto Rank, photograph. © Bettmann/Corbis. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and deﬁne such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and Ann Marie Wiescinski English and Comparative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan