Criticism > Twentieth-Century Literary Criticism > Dracula, Bram Stoker - Phyllis A. Roth (essay date 1982)
Dracula, Bram Stoker - Phyllis A. Roth (essay date 1982)
Phyllis A. Roth (essay date 1982)
SOURCE: Roth, Phyllis A. “Dracula.” In Bram Stoker, pp. 87-126. Boston: Twayne Publishers, 1982.
[In the following excerpt, Roth discusses Dracula as a seminal work of Gothic fiction and offers a psychoanalytical interpretation of the novel.]
Dracula exerts a complex fascination owing both to Stoker's skill and to the enduring appeal of the Gothic genre of which it is a superb and instructive example, following a tradition originated, by critical consensus, by Horace Walpole with his Castle of Otranto (1764). The most commonly cited pillars of the tradition are William Beckford's Vathek (1786), Ann Radcliffe's The Mysteries of Udolpho (1794) and The Italian (1797), Matthew Lewis's The Monk (1796), Mary Shelley's Frankenstein (1818), and Charles Maturin's Melmoth the Wanderer (1820).
While Stoker's themes and techniques in...
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- Introduction
- Principal Works
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Criticism
- Spectator (review date 31 July 1897)
- Bacil F. Kirtley (essay date fall 1956)
- Joseph S. Bierman (essay date summer 1972)
- Carrol L. Fry (essay date fall 1972)
- Seymour Shuster (essay date September 1973)
- Judith Weissman (essay date July 1977)
- Phyllis A. Roth (essay date 1982)
- Alan P. Johnson (essay date 1984)
- David Seed (essay date June 1985)
- Clive Leatherdale (essay date 1985)
- S. L. Varnado (essay date 1987)
- Ken Gelder (essay date 1994)
- Stephan Schaffrath (essay date spring 2002)
- Christopher Herbert (essay date summer 2002)
- Dennis Foster (essay date 2002)
- Gregory Castle (essay date 2002)
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