The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of TCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 144, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Drama, v. 4, spring, 1995; v. 5, fall, 1995; v. 8, spring, 1999. Copyright © 1995, 1999 by American Drama. All reproduced by permission.—American Imago, v. 29, summer, 1972. Copyright 1972 by The Association for Applied Psychoanalysis, Inc. Reproduced by permission of The Johns Hopkins University.—The British Journal of Medical Psychology, v. 46, September, 1973. Copyright 1973 by Cambridge University Press. Reproduced by permission.—Educational Theatre Journal, v. 25, March, 1973. Copyright © 1973 by Educational Theatre Journal. Reproduced by permission of The Johns Hopkins University Press.—Extrapolation, v. 43, spring, 2002. Copyright 2002 by The Kent State University Press. Reproduced by permission.—The International Fiction Review, v. 1, January, 1974; v. 8, summer,1981. © Copyright 1974, 1981 International Fiction Association. Both reproduced by permission.—Midwest Quarterly, v. 18, July, 1977. Copyright © 1977 by The Midwest Quarterly, Pittsburgh State University. Reproduced by permission.—Modern Language Notes, v. 99, January, 1984; v. 111, January 1996. Copyright © 1984, 1996 The Johns Hopkins University Press. Both reproduced by permission.—Modern Language Studies, v. 10, fall, 1980 for “The Reader as Detective: Notes on Gadda’s Pasticciaccio” by JoAnn Cannon. Copyright, Northeast Modern Language Association 1980. Reproduced by permission of the publisher and author.—Nineteenth-Century Fiction, v. 40, June, 1985 for “The Narrative Method of Dracula” by David Seed. Copyright 1985 by The Regent of the University of California. All rights reserved. Reproduced by permission of the publisher and the author.—North Dakota Quarterly, v. 38, winter, 1970; v. 48, summer, 1980. Copyright © 1970, 1980 by The University of North Dakota. Both reproduced by permission.—Renascence, v. 54, fall, 2001. © Copyright, 2001, Marquette University Press. Reproduced by permission.—Representations, v. 79, summer, 2002 for “Vampire Religion” by Christopher Herbert. Copyright 2002 by the Regents of the University of California. Reproduced by permission of the publisher and the author.—Scandinavica, v. 20, May, 1981; v. 22, May, 1983; v. 26, May, 1987. Copyright © 1981, 1983, 1987 by the Editor. All reproduced by permission of the respective authors.—Scandinavian Studies, v. 50, winter, 1978 for “Isben and Lagerkvist Revisited” by Robert T. Rovinsky; v. 55, winter, 1983 for “The Origins and Development of Lagerkvists’s ‘Barabbas’” by Irene Scobbie; v. 58, winter, 1986 for “Terms of Divergence: The Vocabularies of Pär Lagerkvist’s ‘Angest’ and Artur Lundkvist’s ‘Glod’” by Steven P. Sondrup. All reproduced by permission.—Scando-Slavica,

v. 36, 1990. Reproduced by permission.—The Southern Review, v. 15, spring, 1979 for “And We’re Lost Out Here in the stars” by Gerald Weales. Copyright, 1979, by the author. Reproduced by permission of the author.—Stanford Italian Review, v. 5, 1985 from “Quel Nome Storia: Naming and History in Gadda’s Pasticciaccio” by Darby Tench. Reproduced by permission of the publisher and the author.—The Victorian Newsletter, n. 42, fall, 1972 from “Fictional Conventions and Sexuality in Dracula” by Carrol L. Fry. Copyright 1972 by The Victorian Newsletter. Reproduced by permission of The Victorian Newsletter and the author.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 144, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Algulin, Ingemar. From A History of Swedish Literature. The Swedish Institute, 1989. © 1989 Ingemar Algulin and the Swedish Institute. Reproduced by permission of the publisher and the author.—Benedetti, Carla. From “The Enigma of Grief: An Expressionism against the Self,” in Carlo Emilio Gadda: Contemporary Perspectives. Edited by Manuela Bertone and Robert S. Dombroski. Translated by Robert S. Dombroski. Copyright 1997 by the University of Toronto Press. All rights reserved. Reproduced by permission.—Bourchard, Norma. From Celine, Gadda, Beckett: Experimental Writings of the 1930s. University Press of Florida, 2000. Reproduced with the permission of the University Press of Florida.—Castle, Gregory. From “Ambivalence and Ascendancy in Bram Stoker’s Dracula,”in Bram Stoker, Dracula: Complete, Authorita

tive Text with Biographical, Historical, and Cultural Contexts, Critical History, and Essays from Contemporary Critical Perspectives. Edited by John Paul Riquelme. Bedford/St. Martin’s, 2002. Copyright © 2002 by Bedford/St. Martin’s Press, Inc. All rights reserved. Reproduced by permission.—Foster, Dennis. From “The Little Children Can Be Bitten: A Hunger for Dracula,” in Bram Stoker, Dracula: Complete, Authoritative Text with Biographical, Historical, and Cultural Contexts, Critical History, and Essays from Contemporary Critical Perspectives. Edited by John Paul Riquelme. Bedford/St. Martin’s, 2002. Copyright © 2002 by Bedford/St. Martin’s Press, Inc. All rights reserved. Reproduced by permission.—Gelder, Ken. From Reading the Vampire. Routledge, 1994. © 1994 Ken Gelder. All right reserved. Reproduced by permission of the publisher and the author.—Guglielmi, Guido. From “Gadda and the Form of the Novel,” in Carlo Emilio Gadda: Contemporary Perspectives. Edited by Manuela Bertone and Robert S. Dombroski. Translated by Robert S. Dombroski. Copyright 1997 by the University of Toronto Press. All rights reserved. Reproduced by permission.—Horn, Barbara Lee. From Maxwell Anderson: A Research and Production Sourcebook. Greenwood Press, 1996. Copyright ©1996 by Barbara Lee Horn. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Johnson, Alan. “Dual Life:The Status of Women in Stoker’s Dracula,”in Sexuality and Victorian Literature. Edited by Don Richard Cox. The University of Tennessee Press, 1984. Copyright © 1984 by The University of Tennessee Press. All rights reserved. Reproduced by permission of The University of Tennessee Press.—Leatherdale, Clive. From Dracula: The Novel & The Legend, A Study of Bram Stoker’s Gothic Masterpiece, 3rd Edition. Desert Island Books, 2001. © Clive Leatherdale 1985, 2001. All rights reserved. Reproduced by permission of the author.—Linner, Sven. From “Literary Symbols and Religious Belief,” in Religious Symbols and Their Functions: Based on Papers Read at the Symposium on Religious Symbols and Their Functions, Held at the 28th-30th of August 1978. Edited by Haralds Biezais. Almqvist & Wiksell International, 1978. All rights reserved. Reproduced by permission.—Lucente, Gregory L. From Beautiful Fables: Self-consciousness in Italian Narrative from Manzoni to Calvino. John Hopkins University Press, 1986. Copyright © 1986 The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Roscioni, Gian Carlo. From “Gadda as Humorist,” in Carlo Emilio Gadda: Contemporary Perspectives. Edited by Manuela Bertone and Robert S. Dombroski. Translated by Robert S. Dombroski. Copyright 1997 by the University of Toronto Press. All rights reserved. Reproduced by permission.—Roth, Phyllis A. From Bram Stoker. Twayne Publishers, 1982. Copyright 1982 by G. K. Hall & Company. All rights reserved. Reproduced by permission.—Swanson, Roy Arthur. From an Introduction to Five Early Works/Pär Lagerkvist. Translated by Roy Arthur Swanson. The Edwin Mellen Press, 1989. Copyright © 1989 The Edwin Mellen Press. Reproduced by permission.—Varnado, S. L. From Haunted Presence: The Numinous in Gothic Fiction. The University of Alabama Press, 1987. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 144, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Anderson, Maxwell, photograph. The Library of Congress.—Cover illustration of Dracula, by Bram Stoker. Signet Classics, 1992. Reproduced by permission of Signet Classics, a division of Penguin Books USA Inc.—Graveyard of Saint Mary’s Church in Whitby, England. Photograph by Patrick Ward. Corbis. Reproduced by permission.—Lagerkvist, Pär F., photograph. The Library of Congress.—Stoker, Bram, 1906, photograph. AP/Wide World Photos. Reproduced by permission.

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