Cummings, E. E. - Further Reading
FURTHER READING
CRITICISM
Cohen, Milton A. “Perception: Seeing the Whole Surface.” In Poet and Painter: The Aesthetics of E. E. Cummings' s Early Work, pp. 85-115. Detroit: Wayne State University Press, 1987.
Discusses Cummings’s early interest in the science of perception and its influence on his literary and artistic aesthetic.
Cureton, Richard D. “Visual Form in e. e. cummings’ No Thanks.” Word and Image: A Journal of Verbal Visual Enquiry (July-September 1986): 245-77.
Explores the meaning and significance of Cummings’s visual form in his most experimental volume of poetry.
Kennedy, Richard S. “The Emergent Styles.” In Dreams in the Mirror: A Biography of E. E. Cummings, pp. 115-32. New York: Liveright Publishing Corporation, 1980.
Explores the period of time when Cummings developed and refined the styles for which he would later become noted.
...[The entire page is 383 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
