Chopin, Kate - Copyright Page

ISSN 0276-8178

Volume 127

Twentieth-Century Literary Criticism

Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Janet Witalec Project Editor
Twentieth-Century Literary Criticism, Vol. 127
Project Editor

Janet Witalec

Editorial

Jenny Cromie, Scott Darga, Kathy D. Darrow, Julie Keppen, Ellen McGeagh, Linda Pavlovski

Research

Nicodemus Ford, Sarah Genik, Tamara C. Nott, Tracie A. Richardson

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ISSN 0276-8178

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Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of TCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 127, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literary Realism, v. 25, Spring, 1993; v. 32, Fall, 1999; v. 32, Winter, 2000. All reproduced by permission.— American Literature, v. 62, June, 1990. Copyright June 1990, Duke University Press. All rights reserved. Reproduced by permission.—American Transcendental Quarterly, v. 13, March, 1999. Reproduced by permission.—Arizona Quarterly, v. 40, Summer, 1984 for “A Note on Kate Chopin’s ‘The White Eagle,’” by Joyce Coyne Dyer. Reproduced by permission of the publisher and the author.—Chicago Daily Tribune, v. xciii, September 22, 1934. Copyright 1934, renewed 1962. Reproduced by permission.—Explicator, v. 45, Fall, 1986; v. 52, Spring, 1994. Both reproduced by permission.—Genders, July, 1989 for “Personal Property: Exchange Value and the Female Self in ‘The Awakening’” by Margit Stange. Reproduced by permission of the publisher and the author.—Kenyon Review, v. 13, Winter, 1951. Copyright © 1951, renewed 1979 by Kenyon College. All rights reserved. Reproduced by permission.—Michigan Quarterly Review, v. 34, Fall, 1995 for “Cinema, Psychoanalysis, and Hermeneutics: G. W. Pabst’s ‘Secrets of a Soul,’” by Ira Konigsberg. Reproduced by permission of the author.—The Mississippi Quarterly, v. 47, Spring, 1994. Reproduced by permission.—Modern Drama,

  • v. 3, February, 1961; v. 16, December, 1973. Both reproduced by permission.—The Nation, vol. 136, June 28, 1933; vol. 139, August 8, 1934. Both reproduced by permission.—New German Critique, v. 50, Spring, 1990. Reproduced by permission.—New Republic, v. 104, February 3, 1941. © 1941, renewed 1968 The New Republic, Inc./v. 167, December 9, 1972;
  • v. 168, June 23, 1973. © 1972, 1973 The New Republic, Inc. All reproduced by permission of The New Republic.—New York Herald Tribune Books, April 5, 1931; May 7, 1933. Copyright 1931, renewed 1959; Copyright 1933, renewed 1961 The New York Times. Both reproduced by permission.—New Yorker, v. 49, August 20, 1973. Reproduced by permission.— The North American Review, vol. 231, 1931. Reproduced by permission.—Novel, A Forum on Fiction, v. 20, Spring, 1987. Copyright NOVEL Corp. © 1987. Reproduced by permission.—Saturday Review of Literature, v. 11, August 4, 1934; v. 23, February 1, 1941. © 1934, renewed 1962; © 1941, renewed 1968 General Media International, Inc. Both reproduced by permission.—Screen, v. 24, July, 1983. Reproduced by permission.—Sight and Sound, v. 45, Spring, 1976. Reproduced by permission.—Southern Literary Journal, v. 18, Fall, 1985; v. 23, Spring, 1991; v. 29, Fall, 1996. Copyright 1985, 1991, 1996 by the Department of English, University of North Carolina at Chapel Hill. All reproduced by permission.—Southern Quarterly, v. 37, Summer, 1999. Reproduced by permission.—Southern Studies, v. 20, Winter, 1981 for “Symbolic Setting in Kate Chopin’s ‘A Shameful Affair,’” by Joyce Dyer; v. 24, Spring, 1985 for “Techniques of Distancing in the Fiction of Kate Chopin,” by Joyce Coyne Dyer; v. 26, 1987 for “Kate Chopin’s ‘The Awakening’: An Assault on American Racial and Sexual Mythology,” by Anna Shannon Elfenbein. All reproduced by permission of the authors./v. 1, Summer, 1990; v. 2, Fall-Winter,1991; v. 4, Winter, 1993. Both reproduced by permission.—The Spectator, vol. 149, November 18, 1932; vol. 152, June 8, 1934. Both reproduced by permission.—Studies in American Fiction, v. 23, Spring, 1995; v. 24, Spring, 1996. Copyright © 1995, 1996, Northeastern University. Both reproduced by permission.— Studies in Short Fiction, v. 33, Spring, 1996. Reproduced by permission.—Times Literary Supplement, May 5, 1931; October 20, 1932; December 12, 1934. © The Times Supplements Limited 1931, 1932, 1934. All reproduced by permission.—Women’s Studies, v. 13, 1986. Reproduced by permission.
    • COPYRIGHTED MATERIAL IN TCLC, VOLUME 127, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    Berman, Russell A. From Cultural Studies of Modern German: History, Representation, and Nationhood. The University of Wisconsin Press, 1993. Copyright © 1993 by The University of Wisconsin Press. All rights reserved. Reproduced by permission.—Burgess, Anthony. From The John Collier Reader. Alfred A. Knopf, 1973. Copyright © 1973 Estate of An

    thony Burgess. All rights reserved. Reproduced by of the author.—Cutter, Martha J. From Unruly Tongue: Identity and Voice in American Women’s Writing, 1850-1930. University of Mississippi, 1999. Copyright © 1999 by University of Mississippi. All rights reserved. Reproduced by permission.—Delbanco, Andrew. From Required Reading: Why Our American Classics Matter Now. Farrar, Straus and Giroux, 1997. Copyright © 1997 by Farrar, Straus and Giroux. All rights reserved. Reproduced by permission.—Elsaesser, Thomas. From The Films of G. W. Pabst: An Extraterritorial Cinema. Rutgers University Press, 1990. Copyright © 1990 by Rutgers University Press. All rights reserved. Reproduced by permission.—Ewell, Barbara C. From Approaches to Teaching Chopin’s ‘The Awakening.’ The Modern Language Association of America, 1988. Copyright © 1988 by The Modern Language Association of America. All rights reserved. Reproduced by permission.—Freeman, Barbara Claire. From The Feminine Sublime: Gender and Excess in Women’s Fiction. University of California Press, 1995. Copyright © 1995 by University of California Press. All rights reserved. Reproduced by permission of the publisher and the author.—Friedberg, Anne. From The Films of G. W. Pabst: An Extraterritorial Cinema. Rutgers University Press, 1990. Copyright © 1990 by Rutgers University Press. All rights reserved. Reproduced by permission.—Geisler, Michael. From The Films of G. W. Pabst: An Extraterritorial Cinema. Rutgers University Press, 1990. Copyright © 1990 by Rutgers University Press. All rights reserved. Reproduced by permission.—Giorcelli, Cristina. From New Essays on ‘The Awakening.’ Cambridge University Press, 1988. Copyright © 1988 by Cambridge University Press. All rights reserved. Reproduced by permission of the publisher and the author.—Gunning, Sandra. From Race, Rape, and Lynching: The Red Record of American Literature, 1890-1912. Oxford University Press, 1996. Copyright © 1996 by Oxford University Press. All rights reserved. Reproduced by permission.—McCullough, Kate. From Regions of Identity: The Construction of America in Women’s Fiction, 1885-1914. Stanford University Press, 1999. Copyright © 1999 by Stanford University Press. All rights reserved. Reproduced by permission.—Mignone, Mario B. From Eduardo De Filippo. Twayne Publishers, 1984. Copyright © 1984 by Twayne Publishers. All rights reserved. Reproduced by permission.— Rentschler, Eric. From The Films of G. W. Pabst: An Extraterritorial Cinema. Rutgers University Press, 1990. Copyright © 1990 by Rutgers University Press. All rights reserved. Reproduced by permission.—Showalter, Elaine. From New Essays on ‘The Awakening.’ Cambridge University Press, 1988. Copyright © 1988 by Cambridge University Press. All rights reserved. Reproduced by permission of the publisher and the author.—Thornton, Lawrence. From Unbodied Hope: Narcissism and the Modern Model. Bucknell University Press, 1984. Copyright © 1984 by Bucknell University Press. All rights reserved. Reproduced by permission.—Walker, Nancy. From Approaches to Teaching Chopin’s ‘The Awakening.’ The Modern Language Association of America, 1988. Copyright © 1988 by The Modern Language Association of America. All rights reserved. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 127, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Chopin, Kate, photograph. The Library of Congress.—Filippo, Eduardo de, photograph. AP/Wide World Photos. Reproduced by permission.—Pabst, G. W., photograph. The Kobal Collection. Reproduced by permission.

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    Dr. Toby Burrows Mary Jane Marden

    Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

    Mark Schumacher David M. Durant

    Jackson Library Reference Librarian, Joyner Library

    East Carolina University University of North Carolina at Greensboro

    Steven R. Harris Gwen Scott-Miller

    English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library