Criticism > Twentieth-Century Literary Criticism > Carter, Angela - Robbie B. H. Goh (essay date July 1999)
Carter, Angela - Robbie B. H. Goh (essay date July 1999)
Robbie B. H. Goh (essay date July 1999)
SOURCE: Goh, Robbie B. H. “Supernatural Interactions, Eastern Ghosts, and Postmodern Narrative: Angela Carter's Fireworks.” Ariel 30, no. 3 (July 1999): 63-85.
[In the following essay, Goh discusses Eastern, orientalist themes in Carter's essays.]
The work of deconstructing and dismantling “orientalist” discourses by such scholars as Edward Said and Chris Bongie reaches an impasse at the borders of the postmodern narrative. Said's key work, Orientalism, in the first place, is essentially a historiography concerned with “a Western style for dominating, restructuring and having authority over the Orient” (3). This historiography encounters—and sets itself—certain limits in space and time: it is primarily interested in the “Franco-British involvement in the Orient,” particularly “from the beginning of the nineteenth century until the end of World War II” (3, 4). Secondly,...
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- Introduction
- Principal Works
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Criticism
- Angela Carter and Anna Katsavos (interview date fall 1988)
- Joanne M. Gass (essay date fall 1994)
- Christina Britzolakis (essay date winter 1995)
- Magali Cornier Michael (essay date 1996)
- Jean Wyatt (essay date 1996)
- Christine Berni (essay date fall 1997)
- Brian H. Finney (essay date spring 1998)
- Stephen Benson (essay date 1998)
- Jack Zipes (essay date 1998)
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- Janet L. Langlois (essay date 1998)
- Peter G. Christensen (essay date 1998)
- Linden Peach (essay date 1998)
- Sarah M. Henstra (essay date spring 1999)
- Robbie B. H. Goh (essay date July 1999)
- Emma Parker (essay date July 2000)
- Mary S. Pollock (essay date July 2000)
- Dee Goertz (essay date 2000)
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