Criticism > Twentieth-Century Literary Criticism > Carter, Angela - Magali Cornier Michael (essay date 1996)
Carter, Angela - Magali Cornier Michael (essay date 1996)
Magali Cornier Michael (essay date 1996)
SOURCE: Michael, Magali Cornier. “Fantasy and Carnivalization in Angela Carter's Nights at the Circus.” In Feminism and the Postmodern Impulse: Post-World War II Fiction, pp. 171-208. Albany: State University of New York Press, 1996.
[In the following essay, Michael examines Carter's utopian feminist vision in Nights at the Circus.]
With extravagant playfulness, Angela Carter's Nights at the Circus (1984) weaves together elements of the carnivalesque and fantastic with those of harsh material realism as vehicles for feminist aims. Carter's novel is the literary heir of Virginia Woolf's Orlando and Djuna Barnes' Nightwood, both of which engage the fantastic and the carnivalesque, and indeed is more literary or fully artificial than the novels of Lessing, Piercy, and Atwood. Set in 1899, Nights at the Circus purports to usher in the twentieth-century. Carter's...
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Criticism
- Angela Carter and Anna Katsavos (interview date fall 1988)
- Joanne M. Gass (essay date fall 1994)
- Christina Britzolakis (essay date winter 1995)
- Magali Cornier Michael (essay date 1996)
- Jean Wyatt (essay date 1996)
- Christine Berni (essay date fall 1997)
- Brian H. Finney (essay date spring 1998)
- Stephen Benson (essay date 1998)
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- Janet L. Langlois (essay date 1998)
- Peter G. Christensen (essay date 1998)
- Linden Peach (essay date 1998)
- Sarah M. Henstra (essay date spring 1999)
- Robbie B. H. Goh (essay date July 1999)
- Emma Parker (essay date July 2000)
- Mary S. Pollock (essay date July 2000)
- Dee Goertz (essay date 2000)
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