Criticism > Twentieth-Century Literary Criticism > Carter, Angela - Dee Goertz (essay date 2000)
Carter, Angela - Dee Goertz (essay date 2000)
Dee Goertz (essay date 2000)
SOURCE: Goertz, Dee. “To Pose or Not to Pose: The Interplay of Object and Subject in the Works of Angela Carter.” In British Women Writing Fiction, edited by Abby H. P. Werlock, pp. 213-25. Tuscaloosa: University of Alabama Press, 2000.
[In the following essay, Goertz addresses the dangers for women of being objects of desire rather than active sexual subjects in Carter's writings.]
Vampires and sleeping beauties, winged trapeze artists and puppets, werewolves and showgirls—the female characters of Angela Carter's exuberant fiction assume a variety of roles, some from the conventions of realistic fiction but most from fairy tale and fantasy. By using magical realism with a feminist edge, she makes up for the rarity of the female perspective in initiation myths and quests for self-discovery. She portrays young women (and, in some cases, mature women) threading their way through their own awakening sexual...
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- Introduction
- Principal Works
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Criticism
- Angela Carter and Anna Katsavos (interview date fall 1988)
- Joanne M. Gass (essay date fall 1994)
- Christina Britzolakis (essay date winter 1995)
- Magali Cornier Michael (essay date 1996)
- Jean Wyatt (essay date 1996)
- Christine Berni (essay date fall 1997)
- Brian H. Finney (essay date spring 1998)
- Stephen Benson (essay date 1998)
- Jack Zipes (essay date 1998)
- Betty Moss (essay date 1998)
- Janet L. Langlois (essay date 1998)
- Peter G. Christensen (essay date 1998)
- Linden Peach (essay date 1998)
- Sarah M. Henstra (essay date spring 1999)
- Robbie B. H. Goh (essay date July 1999)
- Emma Parker (essay date July 2000)
- Mary S. Pollock (essay date July 2000)
- Dee Goertz (essay date 2000)
- Further Reading
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