Carter, Angela - Copyright Page

ISSN 0276-8178

Volume 139

Twentieth-Century Literary Criticism

Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Janet Witalec Project Editor
Twentieth-Century Literary Criticism, Vol. 139
Project Editor

Janet Witalec

Editorial

Jenny Cromie, Scott Darga, Kathy D. Darrow, Julie Keppen, Allison Marion, Linda Pavlovski

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ISSN 0276-8178

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Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of TCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 139, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

African American Review, v. 32, summer, 1998 for “Conversations with Chester Himes” by Bernard W. Bell. Reproduced by permission of the author.—American Legacy: Celebrating African-American History & Culture, v. 6, fall, 2000. Reproduced by permission.—Annali Istituto Universitario Orientale,v. 24, January 6, 1982. Reproduced by permission.— Ariel: A Review of International English Literature, v. 30, July, 1999 for “Supernatural Interactions, Eastern Ghosts and Postmodern Narrative: Angela Carter’s ‘Fireworks’” by Robbie B. H. Goh; v. 31, July, 2000 for “The Consumption of Angela Carter: Women, Food and Power” by Emma Parker. Copyright © 1999, 2000 The Board of Governors, The University of Calgary. Both reproduced by permission of the publisher and the respective authors.—Autobiography Studies, v. 11, Spring, 1996 for “Slaying the Fathers: The Autobiography of Chester Himes” by Gary Storhoff. Reproduced by permission of the author.—Black Issues Book Review, v. 3, November/December, 2001. Reproduced by permission.—The Black Scholar, v. 28, spring, 1998. Copyright 1998 by The Black Scholar. Reproduced by permission.—CLA Journal, v. XLIV, March, 2001; v. 44, June, 2001. Both reproduced by permission.—CLIO,v. 27, fall, 1997 for “Taking an Axe to History: The Historical Lizzie Borden and The Postmodern Historiography of Angela Carter” by Christine Berni. © 1997 by Purdue Research Foundation. Reproduced by permission of the author.—English Literature in Transition (1880-1920), v. 34, 1994. Reproduced by permission.—49th Parallel: An Interdisciplinary Journal of North American Studies, autumn, 2000. Reproduced by permission.—Journal of American Culture, v. 20, summer, 1997. Copyright © 1997 by Ray B. Browne. Reproduced by permission.—Journal of Narrative Technique, v. 28, spring, 1998. Copyright © 1998 by the Journal of Narrative Technique. Reproduced by permission.—LIT: Literature Interpretation Theory, v. 11, July, 2000. © 2000 OPA (Overseas Publishers Association). Reproduced by permission.—Los Angeles Times Book Review, May 9, 1982. Copyright, 1982, Los Angeles Times. Reproduced by permission.—Marvels and Tales, v. 12, 1998 for “Angela Carter and the Literary ‘Marchen’: A Review Essay” by Stephen Benson; v. 12, 1998 for “Farewell to the Femme Fatale: Angela Carter’s Rewriting of Frank Wedekind’s Lulu Plays” by Peter G. Christensen; v. 12, 1998 for “Andrew Borden’s Little Girl: Fairy-Tale Fragments in Angela Carter’s ‘The Fall River Axe Murders’ and ‘Lizzie’s Tiger’” by Janet L. Langlois; v. 12, 1998 for “Desire and the Female Grotesque in Angela Carter’s ‘Peter and the Wolf’” by Betty Moss; v. 12, 1998 for “Crossing Boundaries with Wise Girls: Angela Carter’s Fairy Tales for Children” by Jack Zipes. Copyright © 1998 by Wayne State University Press. All reproduced by permission of the publisher and the respective authors.—The Midwest Quarterly, v. 38, autumn, 1996. Copyright 1996, by Pittsburg State University. Reproduced by permission.—The New York Times Book Review, December 13, 1987. Copyright © 1987 by The New York Times Company. Reproduced by permission.—Quaderni Ibero-Americani, v. 61-62, 1987. Reproduced by permission.—Review of Contemporary Fiction, v. 14, fall, 1994. Reproduced by permission.—Science News, v. 126, November 3, 1984. Reproduced by permission.—The South Atlantic Quarterly, v. 95, fall, 1996. Copyright © 1996 by Duke University Press, Durham, NC. Reproduced by permission.—Textual Practice, v. 9, winter, 1995 for “Angela Carter’s Fetishism” by Christina Britzolakis; v. 13, spring, 1999 for “The Pressure of New Wine: Performative Reading in Angela Carter’s ‘The Sadeian Woman’” by Sarah M. Henstra. © 1995, 1999 Roiutledge. Both reproduced by permission of the publisher and the respective authors.—The Times Literary Supplement, June 26, 1981; April 27, 1984. Both reproduced from The Times Literary Supplement by permission.— Victorian Studies, v. 28 spring, 1985; v. 36, fall, 1992; v. 39, winter, 1996. Copyright 1985, 1992, 1996. All reproduced by permission.—Women’s Studies, v. 25, 1996. © 1996 OPA (Overseas Publishers Association). Reproduced by permission.— World Literature Today, v. 53, 1979; v. 57, autumn, 1983. Copyright 1979, 1983 by the University of Oklahoma Press. Both reprinted by permission of the publisher.

COPYRIGHTED MATERIAL IN TCLC, VOLUME 139, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Banchoff, Thomas F. From Flatland: A Romance of Many Dimensions. Princeton University Press, 1991. Copyright © 1991 by Princeton University Press. All rights reserved. Reproduced by permission.—Fabre, Michel. From “Chester Himes

Direct,” in Conversations with Chester Himes. Edited by Michel Fabre and Robert E. Skinner. University Press of Mississippi, 1995. Reproduced by permission.—Garnett, William. From “Introduction” in Flatland: A Romance of Many Dimensions, Fifth Edition, Revised. Barnes & Noble, Inc., 1963. Reproduced by permission.—Goertz, Dee. From “To Pose or Not to Pose: The Interplay of Object and Subject in the Works of Angela Carter,” in British Women Writing Fiction. Edited by Abby H. P. Werlock. The University of Alabama Press, 2000. Copyright © 2000 The University of Alabama Press. All rights reserved. Reproduced by permission.—Martins, Maria Lucia Milleo. From “Elizabeth Bishop and Carlos Drummond de Andrade: ‘Opening of Tin Trunks and Violet Memories,’” in ‘In Worcester, Massachusetts’ Essays on Elizabeth Bishop. Edited by Laura Jehn Menides and Angela G. Dorenkamp. Peter Lang, 1999. Reproduced by permission.—Michael, Magali Cornier. From Feminism and the Postmodern Impulse: Post-World War II Fiction. State University of New York Press, 1996. © 1996 State University of New York. All rights reserved. Reproduced by permission.— Muller, Gilbert H. From Chester Himes. Twayne Publishers, 1989. Reproduced by permission of the Gale Group.—Peach, Linden. From Angela Carter. St. Martin’s Press, 1998. Copyright © 1998 by Linden Peach. All rights reserved. Reprodued by permission of Palgrave Macmillan.—Skinner, Robert E. From “Streets of Fear: The Los Angeles Novels of Chester Himes,” in Los Angeles in Fiction: A Collection of Essays, Revised Edition. Edited by David Fine. University of New Mexico Press, 1995. Revised edition © 1995 by the University of New Mexico Press. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 139, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Carter, Angela, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Himes, Chester, photograph. AP/ Wide World Photos. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher David M. Durant

Jackson Library Reference Librarian, Joyner Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library