Animals in Literature | Copyright Page
ISSN 0276-8178
Volume 106
Twentieth-Century Literary Criticism
Topics Volume
Excerpts from Criticism of Various Topics in Twentieth-Century Literature, including Literary and Critical Movements, Prominent Themes and Genres, Anniversary Celebrations, and Surveys of National Literatures
Linda Pavlovski Editor
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ISSN 0276-8178
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of TCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED EXCERPTS IN TCLC, VOLUME 106 WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
American Literature, v. 58, May, 1986. Copyright © 1986 by the Duke University Press. Reproduced by permission.— CLA Journal, v. 17, March, 1974; v. 31, June 1988. Reproduced by permission.—College English, v. 55, December, 1993. © 1993 by the National Council of Teachers of English. Reproduced by permission.—Critique, v. XXXIII, Spring, 1992. Reproduced by permission.—Extrapolation, v. 34, Spring, 1993; v. 40, Fall, 1999. © 1993, 1999 by The Kent State University Press. Reproduced by permission.—Hispania, v. XLVI, September, 1963. Reproduced by permission.—Modern Drama, v. 21, September, 1978. Copyright © 1978 University of Toronto, Graduate Centre for Study of Drama. Reproduced by permission.—PMLA, v. 110, May, 1995. Reproduced by permission.—Science Fiction Studies, v. 19, March, 1992; v. 19, July, 1992; v. 19, November, 1992; v. 20, July, 1993; v. 22, November, 1995; v. 24, March, 1997. Copyright © 1992, 1993, 1995, 1997 by SF-TH Inc. Reproduced by permission.—The Sewanee Review, v. LXXV, Spring, 1967. Copyright © 1967 by The University of the South. All rights reserved. Reproduced by permission.—South Atlantic Quarterly, v. 92, Fall, 1993. Copyright © 1993 by Duke University Press. Reproduced by permission.—Studies in Short Fiction, v. 17, Fall, 1980; v. 22, Spring, 1985. Reproduced by permission..—Symposium, v. 31, Summer, 1977. Copyright © 1977 by Syracuse University Press. Reproduced by permission.—Technology and Culture, v. 38, October, 1997; v. 39, July, 1998. © 1997, 1998 by the Society for the History of Technology. All rights reserved. Reproduced by permission.—The Texas Quarterly, v. VII, Summer, 1964. © 1964 by The University of Texas. Reproduced by permission.—Victorian Studies, v. 38, Autumn, 1994. © The Trustees of Indiana University 1994. Reproduced by permission.
COPYRIGHTED EXCERPTS IN TCLC, VOLUME 106, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Allen, Mary. From Animals in American Literature. University of Illinois Press, 1983. © 1983 by the Board of Trustees of the University of Illinois. Reproduced by permission.—Balsamo, Anne. From “Feminism for the Incurably Informed,” in Flame Wars: The Discourse of Cyberculture. Edited by Mark Dery. Duke University Press, 1994. © 1994 Duke University Press. All rights reserved. Reproduced by permission.—Curl, Ruth. From “The Metaphors of Cyberpunk: Ontology, Epistemology, and Science Fiction,” in Fiction 2000: Cyberpunk and the Future of Narrative. Edited by George Slusser and Tom Shippey. University of Georgia Press, 1992. © 1992 by the University of Georgia Press, 1992. All rights reserved. Reproduced by permission.—Edwards, Margaret. From “The Play of ‘Downward Comparisons’: Animal Anthropomorphism in the Poems of Robert Frost,” in Frost: Centennial Essays II. Edited by Jac Tharpe. University Press of Mississippi, 1976. Copyright © 1976 by the University Press of Mississippi. Reproduced by permission.—Fodaski, Martha. From George Barker. Twayne Publishers, Inc., 1969. Copyright © 1969 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission.—Foster, Thomas. From “‘The Sex Appeal of the Inorganic’: Posthuman Narratives and the Construction of Desire,” in Centuries’ Ends, Narrative Means. Edited by Robert Newman. Stanford University Press, 1996. Reproduced by permission.—Hollander, John. From “Robert Frost and the Renewal of Birds,” in Reading in an Age of Theory. Edited by Bridget Gellbert Lyons. Rutgers University Press, 1997. Collection © 1997 by Rutgers, The State University. All rights reserved. Reproduced by permission.—Inniss, Kenneth. From D. H. Lawrence’s Bestiary: A Study of His Use of Animal Trope and Symbol. Mouton, 1971. Copyright © 1971 Mouton & Co., N.V., Publishers. Reproduced by permission.—Lucas, Alec. From “Nature Writers and the Animal Story,” in Literary History of Canada: Canadian Literature in English, Vol. I. Revised edition. Edited by Carl F. Klinck and others. University of Toronto Press, 1976. © University of Toronto Press 1976. Reproduced by permission.—Morgan, Walford. From “Notes on Contemporary Tendencies,” in A New Romantic Anthology. Edited by Stefan Schimanski and Henry Treece. The Grey Walls Press Ltd., 1949. Reproduced
by permission.—Olsen, Lance. From “Cyberpunk and the Crisis of Postmodernity,” in Fiction 2000: Cyberpunk and the Future of Narrative. Edited by George Slusser and Tom Shippey. University of Georgia Press, 1992. © 1992 by the University of Georgia Press, 1992. All rights reserved. Reproduced by permission.—Salmon, Arthur Edward. From Poets of the Apocalypse. Twayne Publishers, 1983. Copyright © 1983 by G. K. Hall & Company. All rights reserved. Reproduced by permission.—Scholtmeijer, Marian. From “The Power of Otherness: Animals in Women’s Fiction,” in Animals and Women: Feminist Theoretical Explorations. Edited by Carol J. Adams and Josephine Donovan. Duke University Press, 1995. © 1995 Duke University Press. All rights reserved. Reproduced by permission.—Spring, Claudia. From Electronic Eros: Bodies and Desire in the Postindustrial Age. University of Texas Press, 1996. Copyright © 1996 by the University of Texas Press. All rights reserved. Reproduced by permission.—Springer, Claudia. From “Sex, Memories, and Angry Women,” in Flame Wars: The Discourse of Cyberculture. Edited by Mark Dery. Duke University Press, 1994. © 1994 Duke University Press. All rights reserved. Reproduced by permission.
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