Criticism > Twentieth-Century Literary Criticism > Anderson, Sherwood - Christopher MacGowan (essay date autumn 1993)
Anderson, Sherwood - Christopher MacGowan (essay date autumn 1993)
Christopher MacGowan (essay date autumn 1993)
SOURCE: MacGowan, Christopher. “The Heritage of the Fathers in Sherwood Anderson's ‘The Man Who Became a Woman.’” Journal of the Short Story in English 21 (autumn 1993): 29-37.
[In the following essay, MacGowan explores the significance of paternity and patriarchy to “The Man Who Became a Woman.”]
Sherwood Anderson's short story “The Man Who Became a Woman,” from his 1923 collection Horses and Men, is often acknowledged to be one of his finest successes in the form. However, analysis of the story has usually focused upon the themes—central to much of Anderson's earlier work—of adolescence, sexuality, and sexual roles. While these are important in the story, what has been missed is the degree to which these concerns are integrated into a tale that is a story about story-telling and story tellers, and the attenuated promise of both in an America oppressed by its...
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Criticism
- Cleveland B. Chase (essay date 1927)
- Marilyn Judith Atlas (essay date 1981)
- Clare Colquitt (essay date summer 1986)
- David D. Anderson (essay date 1987)
- Martin Bidney (essay date summer 1988)
- Michael Wentworth (essay date 1988)
- Claire Badaracco (essay date winter 1989)
- David D. Anderson (essay date 1989)
- Mary-Elisabeth Fowkes Tobin (essay date 1989)
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- Martin Bidney (essay date spring 1990)
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- Margaret Ripley Wolfe (essay date winter 1992)
- Christopher MacGowan (essay date autumn 1993)
- David S. Kramer (essay date spring-summer 1994)
- Clarence B. Lindsay (essay date 1995)
- Douglas Wixson (essay date 1995)
- Bernard F. Engel (essay date 1998)
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