Aleixandre, Vicente - Copyright Page

Aleixandre, Vicente - Copyright Page

ISSN 0276-8178

Volume 113

Twentieth-Century Literary Criticism

Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Linda Pavlovski Editor

Scott Darga Assistant Editor

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Library of Congress Catalog Card Number 76-46132
ISBN 0-7876-5229-6
ISSN 0276-8178
Printed in the United States of America

10987654321

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of TCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN TCLC, VOLUME 113, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Historical Review, v. 41, January, 1936; v. 43, January, 1938; v. 44, August, 1939; v. 54, July, 1949; v. 59, April, 1954. Reproduced by permission.—American Literary Realism, v. 26, Fall, 1993. Copyright © 1993 by the Department of English, The University of New Mexico. Reproduced by permission.—American Political Science Review, v. 43, April, 1949. Copyright, 1949, by American Political Science Association. Reproduced by permission.—Children’s Literature, v. 16, 1988. Reproduced by permission.—English Historical Review, v. 49, n. 196, October, 1934, pp. 715-20, for “Marlborough: His Live and Times, Vol. I,” by Richard Lodge. Reproduced by permission of Oxford University Press.—Journal of American History, v. 37, September, 1950-51; v. 38, June, 1951; v. 41, December, 1954. Copyright Organization of American Historians, 1951, 1954. Reproduced by permission.—Legacy, v. 3, Fall, 1986; v. 14, 1997. Copyright © The University of Nebraska Press, 1986, 1997. Reproduced by permission.—Literature Interpretation Theory, v. 9, September, 1998. Copyright © 1998 by OPA (Amsterdam) B.V. All rights reserved. Reproduced by permission of Taylor & Francis Ltd.— London Mercury, v. 15, April, 1927 for “Mr. Winston Churchill as a Prose Writer” by John Freeman. Reproduced by permission of the author.—London Review of Books, v. 21, September 16, 1999 for “Humid Fidelity” by Peter Bradshaw. Appears here by permission of the London Review of Books and the author.—The Mississippi Valley Historical Review, v. 39, December, 1952-53. Copyright Organization of American Historians, 1953. Reproduced by permission.—Modern Age, v. 30, Spring, 1986. Reproduced by permission.—The Nation, New York, v. 219, September 21, 1974. © 1974 The Nation magazine/The Nation Company, Inc. Reproduced by permission.—Neohelicon, v. XIV, 1987. Reproduced by permission.— The New England Quarterly, v. 31, June, 1958 for a review of “A History of English Speaking Peoples: The Age of Revolution” by S. E. Morison. Copyright 1958 by The New England Quarterly. Reproduced by permission of the publisher and the Literary Estate of S. E. Morison.—Quarterly Journal of Speech, v. 37, April, 1951 for a review of “The Hinge of Fate” and “Europe Unite: Speeches 1947 and 1948” by Halbert E. Gulley; v. 58, April, 1972 for “Churchill the Phrase Forger” by Manfred Weidhorn; v. 83, November, 1997 for “The Enigmatic Ends of Rhetoric: Churchill’s Fulton Address as Great Art and Failed Persuasion” by Michael J. Hostetler; Copyright 1951, 1972, 1997 by the National Communication Association. Reproduced by permission of the publisher and the respective authors.—Revista de Estudios Hispanicos, v. 26, October, 1992 for “Phenomenological Hermeneutics and Vicente Aleixandre’s Self-Reading” by Alice Poust. Reproduced by permission of the publisher and the author.—Revista Hispanica Moderna, v. XLV, June, 1992. Reproduced by permission.—The Romanic Review, v. 85, March, 1994. © 1994 by The Trustees of Columbia University. Reproduced by permission.—Saturday Evening Post, v. 271, November, 1999. Copyright 1999 Saturday Evening Post Society. Reproduced by permission.—The Saturday Review, v. 36, October 31, 1953. Copyright 1954 Saturday Review Magazine, © 1979 General Media International, Inc. Reproduced by permission.—South Atlantic Quarterly, v. 50, n. 7, July, 1951 for “Churchill: Actor as Historian,” by William B. Hamilton. Copyright 1951 by Duke University Press, Durham, NC. Reproduced by permission.—Studies in American Fiction, v. 21, Autumn, 1993. Copyright © 1993 Northeastern University. Reproduced by permission.—Studies in Scottish Literature, v. 27, 1992; v. 29, 1996. Copyright © G. Ross Roy 1992, 1996. Reproduced by permission of the editor.—Texas Quarterly, v. 21, 1978. © 1978 by The University of Texas at Austin. Reproduced by permission.—Times Literary Supplement, n. 2826, April 27, 1956; n. 2857, November 30, 1956; n. 3680, September 15, 1972; . © The Times Supplements Limited 1956, 1972. Reproduced from The Times Literary Supplement by permission.— The Virginia Quarterly Review, v. 70, Winter, 1994. Copyright, 1994 by The Virginia Quarterly Review, The University of Virginia. Reproduced by permission.—The Yale Review, v. 44, Winter, 1954-55. Copyright 1955, by Yale University. Reproduced by permission of the editors and Blackwell Publishers.

COPYRIGHTED EXCERPTS IN TCLC, VOLUME 113, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Aleixandre, Vicente. From “Nobel Lecture,” in Vicente Aleixandre: A Critical Appraisal. Edited by Santiago Daydi-Tolson. Bilingual Press/Editorial Bilingue, 1981. © 1981 by Bilingual Press/Editorial Bilingue, Arizona State University, Tempe,

AZ. All rights reserved. Reproduced by permission.—Cabrera, Vicente. From Critical Views on Vicente Aleixandre’s Poetry. Edited by Vicente Cabrera and Harriet Boyer. Society of Spanish and Spanish-American Studies, 1979. Copyright © Society of Spanish and Spanish-American Studies, 1979. Reproduced by permission of the publisher and the author.— Hein, Rolland. From The Harmony Within: The Spiritual Vision of George MacDonald. Christian University Press, 1982. Copyright © 1982 by Christian College Consortium. All rights reserved. Reproduced by permission.—Hurwitz, Samuel J. From “Winston S. Churchill,” in Some Modern Historians of Britain. Herman Ausubel, J. Bartlet Brebner, Erling M. Hunt, eds. The Dryden Press, 1951. Copyright 1951 by The Dryden Press, Inc. Reproduced by permission.—Kessler, Carol Farley. From Elizabeth Stuart Phelps. Twayne Publishers, 1982. Copyright © 1982 by G. K. Hall & Company. All rights reserved. Reproduced by permission of the author.—Knoepﬂmacher, U. C. From Ventures into Childland: Victorians, Fairy Tales, and Femininity. The University of Chicago Press, 1998. © 1998 by The University of Chicago. All rights reserved. Reproduced by permission of the publisher and the author.—Lang, Amy Schrager. From “Syntax of Class in Elizabeth Stuart Phelps’s ‘The Silent Partner’,” in Rethinking Class: Literary Studies and Social Formations. Edited by Wai Chee Dimock and Michael T. Gilmore. Columbia University Press, 1994. Copyright © 1994 Columbia University Press, New York. All rights reserved. Republished with permission of the Columbia University Press, 562 W. 113th St., New York, NY 10025.—Manlove, Colin. From Christian Fantasy: From 1200 to the Present. Macmillan Press Ltd., 1992. © Colin Manlove. All rights reserved. Reproduced by permission of Palgrave.—Manlove, C. N. From The Impulse of Fantasy Literature. Macmillan Press Ltd., 1982. © Colin Manlove. Reproduced by permission of Palgrave.—Marshall, Cynthia. From “Reading ‘The Golden Key’: Narrative Strategies of Parable,” in For the Childlike: George MacDonald’s Fantasies for Children. Edited by Roderick McGillis. The Children’s Literature Association and The Scarecrow Press, Inc., 1992. Copyright © 1992 Roderick McGillis. Reproduced by permission.—McGillis, Roderick. From “George MacDonald’s ‘Princess’ Books: High Seriousness,” in Touchstones: Reﬂections on the Best in Children’s Literature, Vol. 1. Edited by Perry Nodelman. ChLA Publishers, 1985. © 1985 ChLA Publishers. Reproduced by permission.—Mendelson, Michael. From “The Fairy Tales of George MacDonald and the Evolution of a Genre,” in For the Childlike: George MacDonald’s Fantasies for Children. Edited by Roderick McGillis. The Children’s Literature Association and The Scarecrow Press, Inc., 1992. Copyright © 1992 Roderick McGillis. Reproduced by permission.—Plumb, J. H. From Churchill Revised: A Critical Assessment. By A. J. P. Taylor and others. The Dial Press, Inc., 1969. Copyright © 1968, 1969 by The Dial Press, Inc. Copyright © 1968 by A. J. P. Taylor. All rights reserved. Reproduced by permission.—Ramsden, John. From “‘That Will Depend on Who Writes the History’: Winston Churchill as His Own Historian,” in More Adventures with Britannia: Personalities, Politics and Culture in Britain. Edited by Wm. Roger Louis. University of Texas Press, 1998. I. B. Tauris & Co. Ltd., 1998. Copyright © 1998 by University of Texas Press. All rights reserved. Reproduced by permission of the publishers and author.—Reis, Richard H. From George MacDonald. Twayne Publishers, Inc., 1972. Copyright © 1972 by Twayne Publishers, Inc. Copyright renewed © 1988 by Richard H. Reis. All rights reserved. Reproduced by permission of the author.—Schwartz, Kessel. From “Eros and Thanatos: The Poetry of Vicente Aleixandre–Surrealism or Freudianism?” in Vicente Aleixandre: A Critical Appraisal. Edited by Santiago Daydi-Tolson. Bilingual Press/Editorial Bilingue, 1981. © 1981 by Bilingual Press/Editorial Bilingue, Arizona State University, Tempe, AZ. All rights reserved. Reproduced by permission.—Schwartz, Kessel. From “The Isakower Phenomenon and the Dream Screen,” in Critical Views on Vicente Aleixandre’s Poetry. Edited by Vicente Cabrera and Harriet Boyer. Society of Spanish and Spanish-American Studies, 1979. Copyright © Society of Spanish and Spanish-American Studies, 1979. Reproduced by permission of the publisher and the author.—Schwartz, Kessel. From Vicente Aleixandre. Twayne Publishers, Inc., 1970. Copyright © 1970 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of The Gale Group.—Tracey, Karen. From Plots and Proposals: American Women’s Fiction, 1850-90. University of Illinois Press, 2000. © 2000 by the Board of Trustees of the University of Illinois. All rights reserved. Reproduced by permission of the publisher and the author.

PHOTOGRAPHS APPEARING IN TCLC, VOLUME 113, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Churchill, Sir Winston, photograph.—MacDonald, George, photograph. Archive Photos, Inc. Reproduced by permission.— Ward, Elizabeth Stuart Phelps, photograph. The Granger Collection, New York. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and deﬁne such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and English and Com-Ann Marie Wiescinski parative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan