Dec 19, 2009

Twentieth-Century Literary Criticism | Abbey, Edward - Copyright Page

ISSN 0276-8178

Volume 160

Twentieth-Century Literary Criticism

Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1900 and 1999, from the First Published Critical Appraisals to Current Evaluations

Thomas J. Schoenberg Lawrence J. Trudeau

Project Editors

Twentieth-Century Literary Criticism, Vol. 160
Project Editor

Thomas J. Schoenberg and Lawrence J. Trudeau

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Jessica Bomarito, Kathy D. Darrow, Jeffrey W. Hunter, Jelena O. Krstovi´c, Michelle Lee, Russel Whitaker

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 76-46132

ISBN 0-7876-8914-9
ISSN 0276-8178

Printed in the United States of America 10987654321

Preface

S
ince its inception more than fifteen years ago, Twentieth-Century Literary Criticism (TCLC) has been purchased and used by nearly 10,000 school, public, and college or university libraries. TCLC has covered more than 500 authors, representing 58 nationalities and over 25,000 titles. No other reference source has surveyed the critical response to twentieth-century authors and literature as thoroughly as TCLC. In the words of one reviewer, “there is nothing comparable available.” TCLC “is a gold mine of information—dates, pseudonyms, biographical information, and criticism from books and periodicals—which many librarians would have difficulty assembling on their own.”

Scope of the Series

TCLC is designed to serve as an introduction to authors who died between 1900 and 1999 and to the most significant interpretations of these author’s works. Volumes published from 1978 through 1999 included authors who died between 1900 and 1960. The great poets, novelists, short story writers, playwrights, and philosophers of the period are frequently studied in high school and college literature courses. In organizing and reprinting the vast amount of critical material written on these authors, TCLC helps students develop valuable insight into literary history, promotes a better understanding of the texts, and sparks ideas for papers and assignments. Each entry in TCLCpresents a comprehensive survey on an author’s career or an individual work of literature and provides the user with a multiplicity of interpretations and assessments. Such variety allows students to pursue their own interests; furthermore, it fosters an awareness that literature is dynamic and responsive to many different opinions.

Every fourth volume of TCLC is devoted to literary topics. These topics widen the focus of the series from the individual authors to such broader subjects as literary movements, prominent themes in twentieth-century literature, literary reaction to political and historical events, significant eras in literary history, prominent literary anniversaries, and the literatures of cultures that are often overlooked by English-speaking readers.

TCLC is designed as a companion series to Thomson Gale’s Contemporary Literary Criticism, (CLC) which reprints commentary on authors who died after 1999. Because of the different time periods under consideration, there is no duplication of material between CLC and TCLC.

Organization of the Book

A TCLC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by a heading that consists of the most common form of the title in English translation (if applicable) and the original date of composition.
  • © A Portrait of the Author is included when available.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.
  • © The list of Principal Works is ordered chronologically by date of first publication and lists the most important works by the author. The genre and publication date of each work is given. In the case of foreign authors whose
  • vii

    Company. All rights reserved. Reproduced by permission of Blackwell Publishers.—Hitchcock, Peter. From “The Grotesque of the Body Electric,” in Bakhtin and the Human Sciences: No Last Words. Edited by Michael Mayfeld Bell and Michael Gardiner. SAGE Publications, 1998. Chapter 6 © Peter Hitchcock 1998. Reproduced by permission of SAGE Publications Ltd. at www.sagepub.co.uk.—Holquist, Michael. From “Why Is God’s Name a Pun? Bakhtin’s Theory of the Novel in the Light of Theophilogy,” in The Novelness of Bakhtin: Perspectives and Possibilities. Edited by Jørgen Bruhn and Jan Lundquist. Museum Tusculanum Press, 2001. Copyright © Museum Tusculanum Press, 2001. Reproduced by permission.—Homberger, Eric. From American Writers and Radical Politics, 1900-39: Equivocal Commitments. Copyright © Ric Homberger 1986. Macmillan, 1986. All rights reserved. Reproduced with permission of Palgrave Macmillan.—Kelly, Aileen M. From “The Flesh of Time: Mikhail Bakhtin,” in Views from the Other Shore: Essays on Herzen, Chekhov, and Bakhtin. Yale University Press, 1999. Copyright © 1999 by Yale University. All rights reserved. Reproduced by permission.—Lucas, Susan M. From “Counter Frictions: Writing and Activism in the Work of Abbey and Thoreau,” in Thoreau’s Sense of Place: Essays in American Environmental Writing. Edited by Richard J. Schneider. Copyright © 2000, by the University of Iowa Press. All rights reserved. Reproduced by permission of the University of Iowa Press.—Norwick, Steve. “Nietzschean Themes in the Works of Edward Abbey,” in Coyote in the Maze: Tracking Edward Abbey in a World of Words. Edited by Peter Quigley. The University of Utah Press, 1998. Copyright © 1998, by The University of Utah Press. All rights reserved. Reproduced by permission.—Rosendale, Steven. From “In Search of Left Ecology’s Usable Past: The Jungle, Social Change, and the Class Character of Environmental Impairment,” in The Greening of Literary Scholarship: Literature, Theory, and the Environment. Edited by Steven Rosendale. University of Iowa Press, 2002. Copyright © 2002 by the University of Iowa Press. All rights reserved. Reproduced by permission of the University of Iowa Press.—Todorov, Tzvetan. From “History of Literature,” in Mikhail Bakhtin: The Dialogical Principle. Edited and translated by Wlad Godzich. University of Minnesota Press, 1984. English Language copyright 1984 by the University of Minnesota. Originally published in “Mikhail Bakhtine: le principe dialogigue suivi de Ecrits de Cerle Bakhtine” copyright 1981 by Editions de Seuil. All rights reserved. Reproduced by permission of Georges Bouchardt, Inc for Editions de Seuil.—Twining, Edward S. From “The Roots of Abbey’s Social Critique,” in Coyote in the Maze: Tracking Edward Abbey in a World of Words. Edited by Peter Quigley. The University of Utah Press, 1998. Copyright © 1998, by The University of Utah Press. All rights reserved. Reproduced by permission.—Wreszin, Michael. From Oswald Garrison Villard, Pacifist at War. Indiana University Press, 1965. Copyright © 1965 by Indiana University Press. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN TCLC, VOLUME 160, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Meat plant workers and inspectors, checking hanging meat, enforcing a new meat inspection act of 1906, Chicago, Illinois, photograph. © Bettmann/Corbis.—Novelist Edward Abbey, a member of Robert Redford’s riding party, Outlaw Trail, Lake Powell, Utah, photograph. © Jonathan Blair/Corbis.—Sinclair, Upton, Los Angeles, California, 1942, photograph. AP/Wide World Photos, Inc.—Villard, Oswald Garrison, photograph. The Library of Congress.

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