Twelfth Night | Malvolio

Melvin Seiden, in the first selection, examines Malvolio's role in the comic strategy of Twelfth Night, which is, the critic asserts, to divert the burden of comic scrutiny away from the festive lovers, and to lend a puritanical air which in contrast heightens the overriding sense of gaiety in the play. In the second excerpt, Wilbern discusses the carnal side of Twelfth Night, asserting that Malvolio's repressed desire is reciprocal to the lover's indulgence.

Malvolio has intrigued critics more than any other character in Twelfth Night. In the seventeenth century, Charles I was so taken by Malvolio's mistreatment that he changed the name of the play in the Second Folio to "Malvolio."

Melvin Seiden
[Seiden examines Malvolio's role in the comic strategy of Twelfth Night, which is, the critic asserts, to divert the burden of comic scrutiny away from the festive lovers, and to lend a puritanical air which in contrast heightens the overriding sense of gaiety in the play. In the society of Illyria, Malvolio...

[The entire page is 7465 words long]

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