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Twelfth Night | Act IV, Scene 2 Summary and Analysis
Summary
Maria gives the Clown a gown and beard, apparently wishing to prolong the sham with Malvolio. Feste readily accepts the offer to play Chaucer’s Sir Topas. He has a stereotyped notion of a curate and a student, which he doesn’t fit, though he does account himself an honest man and a good citizen. Sir Toby enters, greeting him as a parson, and pushes him on to Malvolio.
The Clown, dressed as Sir Topas, visits Malvolio in a very dark room. Malvolio immediately orders Sir Topas to go to Olivia without specifying the contents of his message. Malvolio perceives...
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- Twelfth Night: Introduction
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Twelfth Night: Summary and Analysis
- Act I, Scene 1 Summary and Analysis
- Act I, Scene 2 Summary and Analysis
- Act I, Scene 3 Summary and Analysis
- Act I, Scene 4 Summary and Analysis
- Act I, Scene 5 Summary and Analysis
- Act II, Scene 1 Summary and Analysis
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- Act III, Scene 1 Summary and Analysis
- Act III, Scene 2 Summary and Analysis
- Act III, Scene 3 Summary and Analysis
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- Act IV, Scene 1 Summary and Analysis
- Act IV, Scene 2 Summary and Analysis
- Act IV, Scene 3 Summary and Analysis
- Act V, Scene 1 Summary and Analysis
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Twelfth Night: Quizzes
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Twelfth Night: Character Analysis
- Sir Andrew Aguecheek (Character Analysis)
- Sir Toby Belch (Character Analysis)
- Fabian (Character Analysis)
- Feste the Clown (Character Analysis)
- Malvolio (Character Analysis)
- Maria (Character Analysis)
- Olivia (Character Analysis)
- Orsino (Character Analysis)
- Sebastian (Character Analysis)
- Viola (Character Analysis)
- Antonio (Character Analysis)
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