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Trouble in Mind | Introduction

Trouble in Mind is the first professionally produced play written by Alice Childress, a pioneering African-American playwright. Childress directed the first production of the play, which debuted on November 5, 1955, in Greenwich Mews Theatre, New York City, and ran for 91 performances. For Trouble in Mind, Childress was awarded an Obie Award in 1956 for best original Off-Broadway production, making her the first African-American woman to win an Obie. Though Trouble in Mind was award-winning and a hit with critics and audiences at the time, the production was plagued with problems, including a clash between the original director and cast that prompted Childress to take his place. This is ironic considering Trouble in Mind is about the troubled production of a fictional, antilynching Broadway play, Chaos in Belleville. Wiletta Mayer, the African-American lead of the Chaos, as well as the other black actors, must deal with the condescending attitude of their white director, Al Manners. Wiletta stands up to Manners and reveals his racist attitudes but faces severe consequences as a result. Trouble in Mind also had script problems.

The original production was also a three-act play with a relatively happy ending, while the published version, discussed in this entry, has only two acts and an ambiguous, though downbeat, close. Childress has said that she was not satisfied with either ending. Childress had a chance to take Trouble in Mind to Broadway, but the producers demanded too many changes that Childress felt would have compromised the play. Though Trouble in Mind was not seen on Broadway, critics have acknowledged its power. As John O. Killens writes in his essay, ‘‘The Literary Genius of Alice Childress,’’ ‘‘In this play Childress demonstrated a talent and ability to write humor that had social impact. Even though one laughed throughout the entire presentation, there was, inescapably, the understanding that although one was having an undeniably emotional and profoundly intellectual experience, it was also political.’’

Trouble in Mind Summary

Trouble in Mind opens inside the entrance of a Broadway theater in New York City. Wiletta Mayer, a middle-aged, African-American actress, bangs on the door and finally lets herself in. She scolds the elderly doorman, Henry, for not letting her in out of the cold, until she sees the stage. While she is enraptured by the sight of the theater, Henry recognizes her from when he was an electrician on a show twenty years ago. When Henry leaves, John Nevins, a young African-American actor, enters. He tries to hide his nervousness. In talking to him, Wiletta realizes that they come from the same place and that she knows his parents. Wiletta gives him career advice about how black people are perceived by white directors and others who run the show. She tells him that he should lie and say he was in the last revival of Porgy and Bess, even though it is untrue. John is skeptical of her counsel.

Millie, another African-American actress, enters. Soon, a young white actress, Judith Sears, and an elderly African-American actor, Sheldon Forrestor, join the conversation. John tries to approach Judy several times, but the other actors prevent him, talking about this play and previous productions they have been in. Judy reveals that this is her first play, and she... » Complete Trouble in Mind Summary