In her prologue, Milford writes of her own early fascination with Scott and Zelda Fitzgerald, whom she admired for their “special flair” and even for their doomed love and early deaths. Later, after finishing her research for this book, she came to see Zelda less romantically, as “the American girl living the American dream,” a dream that drove her to madness. Although Zelda was written for adult readers, it would be of particular interest to young adults, especially to young women. In the search for their own identities, they must decide to what extent they will permit themselves to be limited by the men they love.
While Milford admires much about F. Scott Fitzgerald, such as his sense of responsibility toward his wife and their daughter, she also sees the weaknesses in him that exacerbated Zelda’s problems. While it is clear that Zelda was spoiled by her parents and by a society that rewarded the kind of brainless, flirtatious frivolity that she exhibited as a teenager, it is also clear that she was deeply damaged after her marriage, when she was expected to suppress her own individuality in order to meet her husband’s needs. Milford shows no sympathy for Scott when he discourages Zelda from writing, sneering at her as a mere amateur, or when he forbids her to use incidents of their life together in her works, insisting that the material belongs to him. Milford also points out the injustice in Scott’s cutting whatever he wished...
(The entire section is 634 words.)
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