Themes and Meanings (Masterplots II: Short Story Series, Revised Edition)
“Young Goodman Brown” is the classic American short story of the guilty conscience. The question Brown confronts is whether his heritage of Original Sin incapacitates him for resisting personal sin. In this profoundly ambiguous story, Brown wavers between the desperate cynicism of the corrupt soul and the hopefulness of the believer. At the beginning of the story, he has already made his bargain with the Devil—hardly a token that he is among God’s elect but not necessarily a sign of damnation, either, if he can reject the consummation in the form of the perverted communion service in the woods. Whether by act of will or by divine grace, Brown appears to have resisted the power of evil at the climactic moment and given evidence of at least the possibility of salvation for his wife and himself.
However, if he has, what can be made of his life thereafter? All family and community relationships have been poisoned, and if he can be said to retain his faith, he appears to have lost hope completely. If the ability to resist the Devil at his own table is victory, he has triumphed; if he has made the effort at the expense of his capability for human trust, he has met spiritual defeat. Hawthorne raises the question of whether Brown fell asleep in the forest and dreamed the witches’ Sabbath. The reader, invited to ponder whether one dream could have such an intensive and extensive effect, may well proceed to wonder why Brown found it necessary to invade the forest at night merely to have a bad dream. If, on the other hand, any part of the forest encounter with the Devil and witches is “real,” is Hawthorne to be regarded as a Manichaean who is demonstrating the power of evil?
“Young Goodman Brown” may also be read as a story concerned less...
(The entire section is 723 words.)
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