Study Guide

Young Goodman Brown

by Nathaniel Hawthorne

Young Goodman Brown Analysis

Style and Technique (Comprehensive Guide to Short Stories, Critical Edition)

Hawthorne renders Brown’s deterioration plausible by a blend of means, one of them being his surprising ability to adapt to his purposes a fictional mode seemingly much better suited to the purposes of medieval and Renaissance authors than those of nineteenth century novelists. Normally, allegory is sharp and clear as far as it goes, the limits of its applicability plain. Hawthorne’s story portrays the traditional Christian conviction that when a good man forsakes his Faith, he is liable to Hell. When the Devil taxes Brown with being late for his appointment in the forest, his answer, “Faith kept me back a while,” is as purely allegorical as it can be.

Hawthorne, however, goes on to complicate this idea. Not only are presumably pious people—guardians of the faith such as the minister and deacon—on the way to a satanic communion, but also the character who symbolizes faith. It may not be noticed at the beginning that Brown seems more protective of Faith than she of him. It may even pass unnoticed that Brown identifies Faith by her pink ribbon, a very fragile and decorative artifact for a character representing such a presumably powerful virtue. At the climax of the story, however, for the good man to counsel faith, rather than the opposite, is an incongruity that can hardly be missed. Then Hawthorne has them separated in a way that casts doubt on whether she, and indeed the whole diabolical crowd, were ever there. Brown was certainly there, but whether he has dreamed all or part of the night’s events cannot be determined conclusively. Finally, he is reunited with her again for the duration of his life, but unhappily, his only alternative to full-scale evil is a life of gloom and misanthropy. However, the story offers nothing more effective than faith to combat moral debasement.

Unlike the authors of the medieval morality plays, Edmund Spenser, John Bunyan, and other moral allegorists, Hawthorne employed allegory not to demonstrate a moral proposition or the effects of accepting or rejecting the proposition but to establish a moral context in which good and evil deeds remain identifiable while their causes, effects, and interrelationships become mysterious and problematic. To abandon faith is still evil; to rejoin faith is not so obviously good. The sins remain the traditional ones: lust, murder, worshiping false gods. No one, however, seems to remember how to live cleanly and charitably.

Hawthorne accentuates the ambiguity of his allegory by frequent use of such expressions as “perhaps,” “as if,” “seemed,” “as it were,” “some affirm that,” and “he could have well-nigh sworn.” Thus hedged about, the full meaning of his story is as shadowy as his forest. In addition, he poses a number of unanswered and often unanswerable questions, such as whether Brown had somehow dreamed his lurid adventure.

Such techniques suggest that while Hawthorne delighted in posing moral questions and examining the moral content of human behavior, his main interest here, and in his fiction generally, was plumbing the psychology of the moral life. Looking back on the Calvinist heritage, he wrote of the pressures it exerted on the psyches of believers. He was no amateur theologian but rather an artist. He does not say what Young Goodman Brown should have done or indeed whether he could have done other than what he did; rather, the author portrays a condition that is felt to be intolerable and yet irremediable.

Young Goodman Brown Historical Context

Lingering Puritan Influences in Nineteenth-Century New England
Although the Salem Witch Trials had unfolded more than...

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Young Goodman Brown Literary Style

''Young Goodman Brown" tells the tale of a young Puritan man drawn into a covenant with the Devil, which he adamantly tries to resist. His...

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Young Goodman Brown Literary Techniques

More than in most of his fiction, "Young Goodman Brown" reflects Hawthorne's fascination with the literary technique of allegory. Used...

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Young Goodman Brown Ideas for Group Discussions

Hawthorne is a master of allegory and symbolism, and as a result his works are fertile ground for discussion of moral and social issues....

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Young Goodman Brown Compare and Contrast

1692: The Salem Witch Trials result in the hanging deaths of nineteen people accused of being witches....

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Young Goodman Brown Topics for Further Study

What does Goodman Brown mean when he says, "Faith kept me back a while," after the Devil comments on his lack of punctuality?

Was...

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Young Goodman Brown Literary Precedents

As an allegory, "Young Goodman Brown" is part of a tradition which dates to antiquity. Most notably, the story shares affinities with works...

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Young Goodman Brown Related Titles

Parallels can be found between this story and numerous others in the Hawthorne canon. The most striking similarities exist between the...

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Young Goodman Brown Media Adaptations

In 1968, Edward J. Megroth adapted Young Goodman Brown as an opera, with music by Harold Fink.

Young Goodman Brown...

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Young Goodman Brown What Do I Read Next?

Nathaniel Hawthorne's masterpiece The Scarlet Letter (1850), centers on Hester Prynne, a young woman who...

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Young Goodman Brown Bibliography and Further Reading

Sources
Fogle, Richard H. "Ambiguity and Clarity in Hawthorne's 'Young Goodman Brown'," in New England...

(The entire section is 213 words.)

Young Goodman Brown Bibliography (Masterpieces of American Literature)

Bell, Millicent, ed. Hawthorne and the Real: Bicentennial Essays. Columbus: Ohio State University Press, 2005.

Bloom, Harold, ed. Hester Prynne. Philadelphia: Chelsea House, 2004.

Bunge, Nancy. Nathaniel Hawthorne: A Study of the Short Fiction. New York: Twayne, 1993.

Davis, Clark. Hawthorne’s Shyness: Ethics, Politics, and the Question of Engagement. Baltimore: Johns Hopkins University Press, 2005.

Mellow, James R. Nathaniel Hawthorne and His Times. Boston: Houghton Mifflin, 1980.

Miller, Edward Havilland. Salem Is My Dwelling Place: A Life of Nathaniel Hawthorne. Iowa City: University of Iowa Press, 1991.

Millington, Richard H., ed. The Cambridge Companion to Nathaniel Hawthorne. New York: Cambridge University Press, 2004.

Moore, Margaret B. The Salem World of Nathaniel Hawthorne. Columbia: University of Missouri Press, 1998.

Muirhead, Kimberly Free. Nathaniel Hawthorne’s “The Scarlet Letter”: A Critical Resource Guide and Comprehensive Annotated Bibliography of Literary Criticism, 1950-2000. Lewiston, N.Y.: Edwin Mellen Press, 2004.

Newman, Lea Bertani Vozar. A Reader’s Guide to the Short Stories of Nathaniel Hawthorne. Boston: G. K. Hall, 1979.

Pennell, Melissa McFarland. Student Companion to Nathaniel Hawthorne. Westport, Conn.: Greenwood Press, 1999.

Scharnhorst, Gary. The Critical Response to Hawthorne’s “The Scarlet Letter.” New York: Greenwood Press, 1992.

Stoehr, Taylor. Hawthorne’s Mad Scientists. Hamden, Conn.: Archon Books, 1978.

Thompson, G. R. The Art of Authorial Presence: Hawthorne’s Provincial Tales. Durham, N.C.: Duke University Press, 1993.

Von Frank, Albert J., ed. Critical Essays on Hawthorne’s Short Stories. Boston: G. K. Hall, 1991.