Charlotte Perkins Gilman used her personal bout with postpartum depression to create a powerful fictional narrative which has broad implications for women. When the narrator recognizes that there is more than one trapped, creeping woman, Gilman indicates that the meaning of her story extends beyond an isolated, individual situation. Gilman’s main purpose in writing The Yellow Wallpaper is to condemn not only a specific medical treatment but also the misogynistic principles and resulting sexual politics that make such a treatment possible.
The unequal relationship between the narrator and John is a microcosm of the larger gender inequity in society. Gilman makes it clear that much of John’s condescending and paternal behavior toward his wife has little to do with her illness. He dismisses her well-thought-out opinions and her “flights of fancy” with equal disdain, while he belittles her creative impulses. He speaks of her as he would a child, calling her his “little girl” and saying of her, “Bless her little heart.” He overrides her judgments on the best course of treatment for herself as he would on any issue, making her live in a house she does not like, in a room she detests, and in an isolated environment which makes her unhappy and lonely. John’s solicitous “care” shows that he believes the prevailing scientific theories which claim that women’s innate inferiority leaves them, childlike, in a state of infantile dependence.
Gilman makes John the window through which readers can view the negative images of women in her society. In Gilman’s lifetime, women’s right to become full citizens and to vote became one of the primary issues debated in the...
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